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Topic Review
Sheela Na Gig
Sheela na gigs are figurative carvings of naked women displaying an exaggerated vulva. They are architectural grotesques found all over Europe on churches, castles, and other buildings. The highest concentrations can be found in Ireland, Great Britain, France and Spain, sometimes together with male figures. Ireland has the greatest number of surviving sheela na gig carvings; McMahon and Roberts cite 101 examples in Ireland and 45 examples in Britain. One of the best examples may be found in the Round Tower at Rattoo, in County Kerry, Ireland. There is a replica of the Round Tower sheela na gig in the County Museum in Tralee town. Another well-known example may be seen at Kilpeck in Herefordshire, England. The carvings may have been used to ward off death and evil. Other grotesques, such as gargoyles and hunky punks, were frequently part of church decorations all over Europe. It is commonly said that their purpose was to keep evil spirits away (see apotropaic magic). They often are positioned over doors or windows, presumably to protect these openings.
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  • 04 Nov 2022
Biography
Sheikh Anwarul Haq
Chief Justice Sheikh Anwarul Haq (Urdu: شیخ انوار الحق‎‎ ; 11 May 1917 – 3 March 1995), was a Pakistan i jurist and an academic who served as the Chief Justice of Pakistan from 23 September 1977 until resigning on 25 March 1981. Educated as an economist at the DAV College and the Punjab University in Lahore, he served as a civil servant of the Indian Civil Service as an appo
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  • 15 Nov 2022
Topic Review
Shenxian Zhuan
The Shenxian Zhuan, sometimes given in translation as the Biographies of the Deities and Immortals, is a hagiography of immortals and description of Chinese gods, partially attributed to the Daoist scholar Ge Hong (283-343). In the history of Chinese literature, the Shenxian Zhuan followed the Liexian Zhuan ("Collected Biographies the Immortals").
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  • 11 Nov 2022
Topic Review
Shinbutsu-shūgō
Shinbutsu-shūgō (神仏習合, "syncretism of kami and buddhas"), also called Shinbutsu-konkō (神仏混淆, "jumbling up" or "contamination of kami and buddhas"), is the syncretism of Buddhism and kami worship that was Japan's only organized religion up until the Meiji period. Beginning in 1868, the new Meiji government approved a series of laws that separated Japanese native kami worship, on one side, from Buddhism which had assimilated it, on the other. When Buddhism was introduced from China in the Asuka period (6th century), rather than discarding the old belief system, the Japanese tried to reconcile the two, assuming both were true. As a consequence, Buddhist temples (寺, tera) were attached to local Shinto shrines (神社, jinja) and vice versa and devoted to both kami and buddhas. The local religion and foreign Buddhism never quite fused, but remained however inextricably linked all the way to the present day, always interacting. The depth of the resulting influence of Buddhism on local religious beliefs can be seen for example in the fact that much of Shinto's conceptual vocabulary and even the types of Shinto shrines we see today, with a large worship hall and religious images, are themselves of Buddhist origin. The formal separation of Buddhism from Shinto took place only as recently as the end of the 19th century; however, in many ways, the blending of the two still continues. The term shinbutsu shūgō itself was coined during the early modern era (17th century) to refer to the amalgamation of kami and buddhas in general, as opposed to specific currents within Buddhism which did the same, e.g. Ryōbu Shintō and Sannō Shintō. The term may have a negative connotation of bastardization and randomness.
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  • 24 Oct 2022
Topic Review
Shinsen
Shinsen (神饌 shinsen) are offerings given up to Shinto shrines or kamidana in Japan . They are also called mike or minie. The annual festivals carried out at different times of the year originated from Shinto rituals and festivals. As part of the ritual, locals would offer up food that had received a special blessing to welcome the kami ("gods" or "spirits"). Food offered up could range from their staple of rice to seafood, food foraged from the mountains, seasonal foods, local specialties, or food connected to the enshrined kami. At the end of the ritual, the offered food is eaten together to gain a sense of unity with the kami, and to gain their blessing and protection. The rite is known as naorai.
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  • 28 Sep 2022
Topic Review
Short Chronology
The short chronology is one of the chronologies of the Near Eastern Bronze and Early Iron Age, which fixes the reign of Hammurabi to 1728–1686 BC and the sack of Babylon to 1531 BC. The absolute 2nd millennium BC dates resulting from these reference points have very little academic support, and have essentially been disproved by recent dendrochronology research. The middle chronology (reign of Hammurabi 1792–1750 BC) is more commonly accepted in academic literature. For much of the period in question, middle chronology dates can be calculated by adding 64 years to the corresponding short chronology date (e.g. 1728 BC in short chronology corresponds to 1792 in middle chronology). After the so-called "dark age" between the fall of Babylon and the rise of the Kassite dynasty in Babylonia, absolute dating becomes less uncertain. While exact dates are still not agreed upon, the 64-year middle/short chronology gap ceases from the beginning of the Third Babylon Dynasty onward.
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  • 18 Nov 2022
Topic Review
Siddharameshwar
Sri Siddharameshwar Maharaj (1888–1936) was a guru in the Inchagiri Sampradaya founded by his guru Bhausaheb Maharaj, a branch of the Navnath Sampradaya, the 'Nine Masters' tradition in India. His disciples included Nath teachers Nisargadatta Maharaj, Ranjit Maharaj, Kaadsiddheshwar, and Ganapatrao Maharaj Kannur.
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  • 08 Dec 2022
Topic Review
Silappatikaram
Silappatikāram (Tamil: சிலப்பதிகாரம், IPA: ʧiləppət̪ikɑːrəm, lit. "the Tale of an Anklet"), also referred to as Silappathikaram or Silappatikaram, is the earliest Hindu-Jain Tamil semi-legendary epic. It is a poem of 5,730 lines in almost entirely akaval (aciriyam) meter. The epic is a tragic love story of an ordinary couple, Kannaki and her husband Kovalan. The Silappathikaram has more ancient roots in the Tamil bardic tradition, as Kannaki and other characters of the story are mentioned or alluded to in the Sangam literature such as in the Naṟṟiṇai and later texts such as the Kovalam Katai. It is attributed to a prince-turned-monk Iḷaṅkõ Aṭikaḷ, and was probably composed in the 5th or 6th century CE. The Silappatikaram is set in a flourishing seaport city of the early Chola kingdom. Kannaki and Kovalan are a newly married couple, in love, and living in bliss. Over time, Kovalan meets Matavi (Madhavi) – a courtesan. He falls for her, leaves Kannaki and moves in with Matavi. He spends lavishly on her. Kannaki is heartbroken, but as the chaste woman, she waits despite her husband's unfaithfulness. During the festival for Indra, the rain god, there is a singing competition. Kovalan sings a poem about a woman who hurt her lover. Matavi then sings a song about a man who betrayed his lover. Each interprets the song as a message to the other. Kovalan feels Matavi is unfaithful to him, and leaves her. Kannaki is still waiting for him. She takes him back. Kannagi and Kovalan leave the city and travel to Madurai of the Pandya kingdom. Kovalan is penniless and destitute. He confesses his mistakes to Kannagi. She forgives him and tells him the pain his unfaithfulness gave her. Then she encourages her husband to rebuild their life together and gives him one of her jeweled anklets to sell to raise starting capital. Kovalan sells it to a merchant, but the merchant falsely frames him as having stolen the anklet from the queen. The king arrests Kovalan and then executes him, without the due checks and processes of justice. When Kovalan does not return home, Kannagi goes searching for him. She learns what has happened. She protests the injustice and then proves Kovalan's innocence by throwing in the court the other jeweled anklet of the pair. The king accepts his mistake. Kannagi curses the king and curses the people of Madurai, tearing off her breast and throwing it at the gathered public. The king dies. The society that had made her suffer, suffers in retribution as the city of Madurai is burnt to the ground because of her curse. In the third section of the epic, gods and goddesses meet Kannagi and she goes to heaven with god Indra. The royal family of the Chera kingdom learns about her, resolves to build a temple with Kannagi as the featured goddess. They go to the Himalayas, bring a stone, carve her image, call her goddess Pattini, dedicate a temple, order daily prayers, and perform a royal sacrifice. The Silappathikaram is an ancient literary Jain masterpiece. It is to the Tamil culture what the Iliad is to the Greek culture, states R. Parthasarathy. It blends the themes, mythologies and theological values found in the Jain, Buddhist and Hindu religious traditions. It is a Tamil story of love and rejection, happiness and pain, good and evil like all classic epics of the world. Yet unlike other epics that deal with kings and armies caught up with universal questions and existential wars, the Silappathikaram is an epic about an ordinary couple caught up with universal questions and internal, emotional war. The Silappathikaram legend has been a part of the Tamil oral tradition. The palm-leaf manuscripts of the original epic poem, along with those of the Sangam literature, were rediscovered in monasteries in the second half of the 19th century by UV Swaminatha Aiyar – a pandit and Tamil scholar. After being preserved and copied in temples and monasteries in the form of palm-leaf manuscripts, Aiyar published its first partial edition on paper in 1872, the full edition in 1892. Since then the epic poem has been translated into many languages including English.
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  • 08 Oct 2022
Topic Review
Similarity
In philosophy, similarity or resemblance is a relation between objects that constitutes how much these objects are alike. Similarity comes in degrees: e.g. oranges are more similar to apples than to the moon. It is traditionally seen as an internal relation and analyzed in terms of shared properties: two things are similar because they have a property in common. The more properties they share, the more similar they are. They resemble each other exactly if they share all their properties. So an orange is similar to the moon because they both share the property of being round, but it is even more similar to an apple because additionally, they both share various other properties, like the property of being a fruit. On a formal level, similarity is usually considered to be a relation that is reflexive (everything resembles itself), symmetric (if a is similar to b then b is similar to a) and non-transitive (a need not resemble c despite a resembling b and b resembling c). Similarity comes in two forms: respective similarity, which is relative to one respect or feature, and overall similarity, which expresses the degree of resemblance between two objects all things considered. There is no general consensus whether similarity is an objective, mind-independent feature of reality, and, if so, whether it is a fundamental feature or reducible to other features. Resemblance is central to human cognition since it provides the basis for the categorization of entities into kinds and for various other cognitive processes like analogical reasoning. Similarity has played a central role in various philosophical theories, e.g. as a solution to the problem of universals through resemblance nominalism or in the analysis of counterfactuals in terms of similarity between possible worlds.
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  • 03 Nov 2022
Topic Review
Simulation Argument (Programmer God)
The simulation hypothesis or simulation theory is the proposal that all of reality, including the Earth and the rest of the universe, could in fact be an artificial simulation, such as a computer simulation. Neil deGrasse Tyson put the odds at 50-50 that our entire existence is a program on someone else’s hard drive . David Chalmers noted “We in this universe can create simulated worlds and there’s nothing remotely spooky about that. Our creator isn’t especially spooky, it’s just some teenage hacker in the next universe up. Turn the tables, and we are essentially gods over our own computer creations . The commonly postulated ancestor simulation approach, which Nick Bostrom called "the simulation argument", argues for "high-fidelity" simulations of ancestral life that would be indistinguishable from reality to the simulated ancestor. However this simulation variant can be traced back to an 'organic base reality' (the original programmer ancestors). The Programmer God hypothesis conversely states that the simulation began with the big bang and was programmed by an external intelligence (external to the physical universe), the Programmer by definition a God in the creator of the universe context.
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  • 03 Nov 2022
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