Topic Review
Minor Basilica
A minor basilica (Latin: Basilica minor, Basilicæ minores in plural) is a Catholic church building that has been granted the title of basilica by the Holy See or immemorial custom. Presently, the authorising decree is granted by the Pope through the Congregation for Divine Worship and the Discipline of the Sacraments. In relation to churches, writers on architecture use the term "basilica" to describe a church built in a particular style. The early Christian purpose-built cathedral basilica of the bishop was in this style, constructed on the model of the semi-public secular basilicas, and its growth in size and importance signalled the gradual transfer of civic power into episcopal hands, which was under way in the 5th century. In the 18th century, the term took on a canonical sense, unrelated to this architectural style. Basilicas in this canonical sense are divided into major ("greater") and minor basilicas. Today only four, all in Rome, are classified as major basilicas.
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  • 30 Nov 2022
Topic Review
Silappatikaram
Silappatikāram (Tamil: சிலப்பதிகாரம், IPA: ʧiləppət̪ikɑːrəm, lit. "the Tale of an Anklet"), also referred to as Silappathikaram or Silappatikaram, is the earliest Hindu-Jain Tamil semi-legendary epic. It is a poem of 5,730 lines in almost entirely akaval (aciriyam) meter. The epic is a tragic love story of an ordinary couple, Kannaki and her husband Kovalan. The Silappathikaram has more ancient roots in the Tamil bardic tradition, as Kannaki and other characters of the story are mentioned or alluded to in the Sangam literature such as in the Naṟṟiṇai and later texts such as the Kovalam Katai. It is attributed to a prince-turned-monk Iḷaṅkõ Aṭikaḷ, and was probably composed in the 5th or 6th century CE. The Silappatikaram is set in a flourishing seaport city of the early Chola kingdom. Kannaki and Kovalan are a newly married couple, in love, and living in bliss. Over time, Kovalan meets Matavi (Madhavi) – a courtesan. He falls for her, leaves Kannaki and moves in with Matavi. He spends lavishly on her. Kannaki is heartbroken, but as the chaste woman, she waits despite her husband's unfaithfulness. During the festival for Indra, the rain god, there is a singing competition. Kovalan sings a poem about a woman who hurt her lover. Matavi then sings a song about a man who betrayed his lover. Each interprets the song as a message to the other. Kovalan feels Matavi is unfaithful to him, and leaves her. Kannaki is still waiting for him. She takes him back. Kannagi and Kovalan leave the city and travel to Madurai of the Pandya kingdom. Kovalan is penniless and destitute. He confesses his mistakes to Kannagi. She forgives him and tells him the pain his unfaithfulness gave her. Then she encourages her husband to rebuild their life together and gives him one of her jeweled anklets to sell to raise starting capital. Kovalan sells it to a merchant, but the merchant falsely frames him as having stolen the anklet from the queen. The king arrests Kovalan and then executes him, without the due checks and processes of justice. When Kovalan does not return home, Kannagi goes searching for him. She learns what has happened. She protests the injustice and then proves Kovalan's innocence by throwing in the court the other jeweled anklet of the pair. The king accepts his mistake. Kannagi curses the king and curses the people of Madurai, tearing off her breast and throwing it at the gathered public. The king dies. The society that had made her suffer, suffers in retribution as the city of Madurai is burnt to the ground because of her curse. In the third section of the epic, gods and goddesses meet Kannagi and she goes to heaven with god Indra. The royal family of the Chera kingdom learns about her, resolves to build a temple with Kannagi as the featured goddess. They go to the Himalayas, bring a stone, carve her image, call her goddess Pattini, dedicate a temple, order daily prayers, and perform a royal sacrifice. The Silappathikaram is an ancient literary Jain masterpiece. It is to the Tamil culture what the Iliad is to the Greek culture, states R. Parthasarathy. It blends the themes, mythologies and theological values found in the Jain, Buddhist and Hindu religious traditions. It is a Tamil story of love and rejection, happiness and pain, good and evil like all classic epics of the world. Yet unlike other epics that deal with kings and armies caught up with universal questions and existential wars, the Silappathikaram is an epic about an ordinary couple caught up with universal questions and internal, emotional war. The Silappathikaram legend has been a part of the Tamil oral tradition. The palm-leaf manuscripts of the original epic poem, along with those of the Sangam literature, were rediscovered in monasteries in the second half of the 19th century by UV Swaminatha Aiyar – a pandit and Tamil scholar. After being preserved and copied in temples and monasteries in the form of palm-leaf manuscripts, Aiyar published its first partial edition on paper in 1872, the full edition in 1892. Since then the epic poem has been translated into many languages including English.
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  • 08 Oct 2022
Topic Review
Self-Help Groups for Mental Health
Self-help groups for mental health, or mutual aid groups are voluntary associations of people who share a common desire to overcome mental illness or otherwise increase their level of cognitive or emotional wellbeing. Despite the different approaches, many of the psychosocial processes in the groups are the same. Self-help groups have had varying relationships with mental health professionals but generally is shown in research to provide additional support alongside mental health professionals. Due to the nature of these groups, self-help groups can help defray the costs of mental health treatment and implementation into the existing mental health system could help provide treatment to a greater number of the mentally-ill population. Although this article specifically defines mental health as relating to mental illness diagnoses or cognitive/behavioral processes, it should be noted that mental health is an important focus of other categories of self-help groups that are not listed below, such as 12-step groups like Alcoholics Anonymous, support groups for those who have undergone trauma like Survivors Network of those Abused by Priests. These self-help groups aim towards improving the mental health surrounding trauma or addiction in order to facilitate recovery.
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  • 14 Oct 2022
Topic Review
Jujutsu
Jujutsu (/dʒuːˈdʒuːtsuː/ joo-JOOT-soo; Japanese: 柔術, jūjutsu listen (help·info)), also known as Jujitsu or Jiu-Jitsu, is a Japanese martial art and a method of close combat for defeating an armed and armored opponent in which one uses either a short weapon or none.
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  • 30 Nov 2022
Biography
Sitaramdas Omkarnath
Sri Sri Sitaramdas Omkarnath (17 February 1892 – 6 December 1982) was a preeminent Indian Vaishnav Saint, 19th century Bhakti cult spiritual luminary and an unequaled humanitarian from the state of West Bengal, India. Addressed as Sri Sri Thakur Sitaramdas Omkarnath, where "Omkar" signifies the supreme cosmic enlightenment and attaining supreme consciousnes, he was heralded as the Divine Incar
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  • 14 Nov 2022
Topic Review
Authenticity
Authenticity is a concept of personality in the fields of psychology, existential psychotherapy, existentialist philosophy, and aesthetics. In existentialism, authenticity is the degree to which a person's actions are congruent with his or her values and desires, despite external pressures to social conformity. The conscious Self comes to terms with the condition of Geworfenheit, of having been thrown into an absurd world (without values and without meaning) not of his or her own making, thereby encountering external forces and influences different from and other than the Self. In human relations, a person’s lack of authenticity is considered bad faith in dealing with other people and with one's self; thus, authenticity is in the instruction of the Oracle of Delphi: “Know thyself.” Concerning authenticity in art, the philosophers Jean Paul Sartre and Theodor Adorno held opposing views and opinions about jazz, a genre of American music; Sartre said that jazz is authentic and Adorno said that jazz is inauthentic. The musical subcultures of punk rock and Heavy metal require artistic authenticity, lest the community consider an artist to be a poseur for lacking authenticity (creative, musical, personal); likewise, artistic authenticity is integral to the genres of House music, Grunge, and Garage rock, Hip-hop, Techno, and show tunes. In every human activity, personal authenticity extends the instruction of the Oracle of Delphi: “Don’t merely know thyself — be thyself.”
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  • 08 Oct 2022
Topic Review
Proto-Austronesian
Proto-Austronesian (commonly abbreviated as PAN or PAn) is a proto-language. It is the reconstructed ancestor of the Austronesian languages, one of the world's major language families. Lower-level reconstructions have also been made, and include Proto-Malayo-Polynesian, Proto-Oceanic, and Proto-Polynesian. Recently, linguists such as Malcolm Ross and Andrew Pawley have built large lexicons for Proto-Oceanic and Proto-Polynesian.
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  • 25 Oct 2022
Topic Review
Classification of Indigenous Peoples of the Americas
Classification of Indigenous peoples of the Americas is based upon cultural regions, geography, and linguistics. Anthropologists have named various cultural regions, with fluid boundaries, that are generally agreed upon with some variation. These cultural regions are broadly based upon the locations of Indigenous peoples of the Americas from early European and African contact beginning in the late 15th century. When Indigenous peoples have been forcibly removed by nation-states, they retain their original geographic classification. Some groups span multiple cultural regions.
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  • 25 Oct 2022
Topic Review
The All
The All (also called The One, The Absolute, The Great One, The Creator, The Supreme Mind, The Supreme Good, The Father, and The All Mother) is the Hermetic, pantheistic, pandeistic or panentheistic (and thus also panpsychism/monopsychism/unus mundus/anima mundi) view of God, which is that everything that is, or at least that can be experienced, collectively makes up The All. One Hermetic maxim states, "While All is in The All, it is equally true that The All is in All." The All can also be seen to be androgynous, possessing both masculine and feminine qualities in equal part.
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  • 18 Oct 2022
Topic Review Peer Reviewed
Joanna I of Anjou (1343–1382)
Joanna I of Anjou (1325–1382), countess of Provence and the fourth sovereign of the Angevin dynasty in south Italy (since 1343), became the heir to the throne of the Kingdom of Sicily, succeeding her grandfather King Robert “the Wise” (1277–1343). The public and official images of the queen and the “symbolic” representations of her power, commissioned by her or by her entourage, contributed to create a new standard in the cultural references of the Angevin iconographic tradition aiming to assimilate models shared by the European ruling class. In particular, the following works of art and architecture will be analyzed: the queen’s portraits carved on the front slabs of royal sepulchers (namely those of her mother Mary of Valois and of Robert of Anjou) and on the liturgical furnishings in the church of Santa Chiara in Naples; the images painted in numerous illuminated manuscripts, in the chapter house of the friars in the Franciscan convent of Santa Chiara in Naples, in the lunette of the church in the Charterhouse of Capri. The church of the Incoronata in Naples does not show, at the present time, any portrait of the queen or explicit reference to Joanna as a patron. However, it is considered the highest symbolic image of her queenship. 
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  • 13 Apr 2022
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