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HandWiki. Authenticity. Encyclopedia. Available online: https://encyclopedia.pub/entry/28422 (accessed on 25 September 2026).
HandWiki. Authenticity. Encyclopedia. Available at: https://encyclopedia.pub/entry/28422. Accessed September 25, 2026.
HandWiki. "Authenticity" Encyclopedia, https://encyclopedia.pub/entry/28422 (accessed September 25, 2026).
HandWiki. (2022, October 08). Authenticity. In Encyclopedia. https://encyclopedia.pub/entry/28422
HandWiki. "Authenticity." Encyclopedia. Web. 08 October, 2022.
Authenticity
Edit

Authenticity is a concept of personality in the fields of psychology, existential psychotherapy, existentialist philosophy, and aesthetics. In existentialism, authenticity is the degree to which a person's actions are congruent with his or her values and desires, despite external pressures to social conformity. The conscious Self comes to terms with the condition of Geworfenheit, of having been thrown into an absurd world (without values and without meaning) not of his or her own making, thereby encountering external forces and influences different from and other than the Self. In human relations, a person’s lack of authenticity is considered bad faith in dealing with other people and with one's self; thus, authenticity is in the instruction of the Oracle of Delphi: “Know thyself.” Concerning authenticity in art, the philosophers Jean Paul Sartre and Theodor Adorno held opposing views and opinions about jazz, a genre of American music; Sartre said that jazz is authentic and Adorno said that jazz is inauthentic. The musical subcultures of punk rock and Heavy metal require artistic authenticity, lest the community consider an artist to be a poseur for lacking authenticity (creative, musical, personal); likewise, artistic authenticity is integral to the genres of House music, Grunge, and Garage rock, Hip-hop, Techno, and show tunes. In every human activity, personal authenticity extends the instruction of the Oracle of Delphi: “Don’t merely know thyself — be thyself.”

existentialism authenticity existentialist

References

  1. James., Engell (1980). Creative Imagination.. Cambridge: HUP. ISBN 9780674333253. OCLC 935280039.  http://www.worldcat.org/oclc/935280039
  2. “Authenticity and Art”, A Companion to Aesthetics (2009) p.000.
  3. Wood, A. M., Linley, P. A., Maltby, J., Baliousis, M., Joseph, S. (2008) The Authentic Personality: “A Theoretical and Empirical Conceptualization, and the Development of the Authenticity Scale” . Journal of Counseling Psychology 55 (3): 385–399. doi:10.1037/0022-0167.55.3.385 http://personalpages.manchester.ac.uk/staff/alex.wood/Authenticity%20Scale.pdf
  4. Authentic life . Psychology Centre Athabasca University. http://psych.athabascau.ca/html/Glossary/demo_glossary.cgi?mode=history&term_id=1196
  5. "Existential Psychology". Eastern Illinois University. http://castle.eiu.edu/~psych/spencer/Existential.html
  6. Golomb, Jacob (1995). In Search of Authenticity. London and New York: Routledge. ISBN 978-0-415-11946-7. 
  7. Baird, Forrest E.; Walter Kaufmann (2008). From Plato to Derrida. Upper Saddle River, New Jersey: Pearson Prentice Hall. ISBN 978-0-13-158591-1. 
  8. Holt, Kristoffer. “Authentic Journalism? A Critical Discussion about Existential Authenticity in Journalism Ethics”, Journal of Mass Media Ethics 27 (2012) p.0000.
  9. Nietzsche, F.W., & Zimmern, H. (1997). Beyond good and evil: Prelude to a philosophy of the future. Mineola, NY: Dover.
  10. Nietzsche, F.W. Beyond Good and Evil: Prelude to a Philosophy of the Future (1997) H. Zimmern, Ed. Mineola, NY: Dover, p. 000.
  11. Abulof, Uriel (2017-12-01). "Be Yourself! How Am I Not myself?" (in en). Society 54 (6): 530–532. doi:10.1007/s12115-017-0183-0. ISSN 0147-2011.  https://dx.doi.org/10.1007%2Fs12115-017-0183-0
  12. Fromm. Erich. Escape from Freedom (1941) Farrar & Rinehart, p. 0000.
  13. Fromm E., Fear of Freedom, ch. 7
  14. "Homeward Bound. Towards a Post-Gendered Pop Music: Television Personalities' My Dark Places". http://www.indiecult.com/2006-04/television-personalities-my-dark-places.  My Dark Places April 10th, 2006 by Godfre Leung (Domino, 2006).
  15. Weinstein, Deena. Heavy Metal: The Music and its Subculture" Da Capo Press, 2009. p. 46.
  16. Larsson, Susanna. “I Bang My Head, Therefore I Am: Constructing Individual and Social Authenticity in the Heavy Metal Subculture” in Young. 21 (1). 2013. p. 95-110
  17. Olson, Benjamin Hedge (May 2008). I Am the Black Wizards: Multiplicity, Mysticism and Identity in Black Metal Music and Culture. Bowling Green State University. p. 47. https://etd.ohiolink.edu/pg_10?203880266478913::NO:10:P10_ETD_SUBID:48873. 
  18. Barker, Hugh and Taylor, Yuval. Faking it: The Quest for Authenticity in Popular Music. W.W.Norton and Co., New York, 2007.
  19. Weinstein, Deena. Heavy Metal: The Music and its Subculture" Da Capo Press, 2009. p. 46.
  20. Merril, J.C. Existential Journalism, Revised Edition (1995) rev. ed.) Ames, IA: Iowa State University Press, p.0000.
  21. Golomb, Jacob. In Search of Authenticity: From Kierkegaard to Camus (1995) London: Routledge, p.0000.
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