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Topic Review Peer Reviewed
Joanna I of Anjou (1343–1382)
Joanna I of Anjou (1325–1382), countess of Provence and the fourth sovereign of the Angevin dynasty in south Italy (since 1343), became the heir to the throne of the Kingdom of Sicily, succeeding her grandfather King Robert “the Wise” (1277–1343). The public and official images of the queen and the “symbolic” representations of her power, commissioned by her or by her entourage, contributed to create a new standard in the cultural references of the Angevin iconographic tradition aiming to assimilate models shared by the European ruling class. In particular, the following works of art and architecture will be analyzed: the queen’s portraits carved on the front slabs of royal sepulchers (namely those of her mother Mary of Valois and of Robert of Anjou) and on the liturgical furnishings in the church of Santa Chiara in Naples; the images painted in numerous illuminated manuscripts, in the chapter house of the friars in the Franciscan convent of Santa Chiara in Naples, in the lunette of the church in the Charterhouse of Capri. The church of the Incoronata in Naples does not show, at the present time, any portrait of the queen or explicit reference to Joanna as a patron. However, it is considered the highest symbolic image of her queenship. 
  • 1.8K
  • 13 Apr 2022
Topic Review Peer Reviewed
T’amar Bagrationi (1184–1210)
T’amar Bagrationi, Queen of Georgia (1184–1210). T’amar Bagrationi was the ninth monarch from the royal house of Bagrationis who ruled over the united Georgian Kingdom. She reigned as a co-monarch alongside her father, Giorgi III, from 1178, assuming full authority in 1184. During her reign, dynastic legitimacy necessitated the appearance of the monumental royal portraits displaying the monarch with immediate predecessors and heirs. T’amar’s gender required introduction of meticulous visual language that would re-gender her with all signs of a male ruler and justify her status and sole right to rule. This notion was embodied in her portraits that were carefully incorporated in the overall programmes of the churches. T’amar’s five monumental depictions survive where she is identified in inscriptions; two other monumental images are presumed to depict her. Of all the depictions, only one can be determined to have been commissioned directly by her. T’amar’s imagery relies on Byzantine elements and adheres to established Georgian models for the local royal portraiture; however, it also adopted sophisticated visual means that was aptly used for manifesting royal power and manipulating authority over the nobility. 
  • 1.6K
  • 18 Aug 2022
Topic Review
Aesthetic Education in Chinese Schools
Since the promulgation of the first school education regulations in the early 20th century, Chinese school aesthetic education has gone through its first century of history. Six stages of development have been formed in this century of vicissitudes, namely, the budding period, the starting period, the salvation movement period, the tortuous development period, the reconstruction period, and the modernization period of the new era. Aesthetic education in Chinese schools places a prominent place on “establishing, cultivating and clarifying morality”, emphasizes the role of “beauty” in “goodness”, and follows the aesthetic guideline of “unity of beauty and goodness”. Art education and its practical activities are the main content of school aesthetic education. The formation mechanism, laws, and characteristics of the sustainable development of school aesthetic education in China are summarized from the perspective of the century-old school aesthetic education policy, which is of theoretical guidance for the study of the future development of school aesthetic education in China.
  • 1.3K
  • 11 Apr 2023
Topic Review
TikTok in Contemporary Arts Market
During the COVID-19 pandemic, TikTok attracted many artists, who used the platform to take their practice, and thereby their self-marketing, into their own hands. At the same time, a new generation of collectors use TikTok to discover art under popular hashtag #feministartists. When artists label their work with #feministartists, they insert themselves into the gatekeeping process, and use opportunities and restrictions bounded to that specific hashtag. The study examines this process of professional self-positioning by using interviews with contemporary artists, curators, and observations on TikTok, artist talks, and secondary interviews with artists on online platforms. The findings suggest a variation in how one trades in or trades on “feminist artist”, accessing resources, and gaining exposure. A focus on “feminist artists” is restrictive for consolidating artists’ efforts to pursue specific professional, social, political, and economic agendas through art. 
  • 1.3K
  • 23 Aug 2021
Topic Review
Landscape
“Landscape” is a broad and slippery term, with strong connections to the history of art, the history of territorial possession, and the cultural artifacts of human occupation in specific places.
  • 1.2K
  • 16 Jan 2022
Topic Review
The Modernity of Ancient Pigments
Naturally occurring and synthetic ancient pigments have a history of use spanning thousands of years. Curiously, some of their newly discovered properties make them excellent candidates for semiconductors, anticounterfeiting agents and so much more. 
  • 1.0K
  • 21 Jul 2022
Topic Review
Gap-Fillers for Outdoor Wooden Artefacts
Conservation of wooden artefacts that are exposed outdoors, mainly in open-air museums, is a very complex and difficult issue that aims to preserve both the integrity and aesthetics of valuable objects. Unceasingly subjected to several factors, such as alternating weather conditions and the activities of microorganisms, algae, and insects, they undergo continuous changes and inevitable deterioration. Their biological and physical degradation often results in the formation of gaps and cracks in the wooden tissue, which creates a need not only for wood consolidation, but also for using specialist materials to fill the holes and prevent further degradation of an object. A variety of substances, both organic and inorganic, have been used for conservation and gap filling in historic wooden objects. The filling compounds typically consist of two components, of which one is a filler, and the second a binder.
  • 1.0K
  • 25 May 2021
Topic Review
Aragonite and Unusual Pigments Identification
Aragonite is a mineralogical form of calcium carbonate, mainly of biogenic origin. Historical sources report its use in Roman times as an aggregate in mortars, and in the literature it has only been shown in Roman wall paintings. Thus, its use in 16thcentury wall paintings of the church of Santo Stefano in Selva (Cerignale, Apennines of central Italy) is surprising.
  • 908
  • 01 Nov 2021
Topic Review
Laser-Induced Fluorescence Spectroscopy for Analysis of Cultural Goods
With the rapid scientific and technological changes that occur every day, a new kind of necessity, for real-time, rapid, and accurate detection methods, preferably also non- or minimally invasive and non-destructive, has emerged. One such method is laser-induced fluorescence spectroscopy (LIF), applied in various fields of activity, ranging from industry and biochemistry to medicine and even heritage sciences. Fluorescence-based spectroscopic methods have all of the above-mentioned characteristics, and their functionality has been proven in many studies.
  • 802
  • 14 Feb 2023
Biography
Roli Hazel Oburoh
Roli Hazel Oburoh, at 23, has become one of the greatest writers in her time. She has often been compared to Emily Bronte, William Shakespeare and even Micheal Jackson for her exceptional and special talent.  At Only 23 years old, she had published fourteen (14) books. Her works explore fiction. She has also explored her history knowledge prowess in some of her works as well as her love for
  • 759
  • 11 Jan 2023
Topic Review Video
Sustainable Development in Local Culture Industries
For aboriginal peoples, sustainability results in benefits for future generations. The concept is applied to secure a balance between human beings and the environment. Aborigines are a source of sustainability strategies that can contribute to service industries. Through education and communication of service innovation, sustainability can be achieved. 
  • 624
  • 28 Mar 2022
Topic Review
Cultural Heritage in Catholic Church
The 2003 UNESCO Convention definition of intangible heritage also covers religious practices and rites. Catholic religious traditions constitute a significant part of the UNESCO intangible cultural heritage (ICH) of religious provenance. 
  • 609
  • 18 Mar 2024
Topic Review
Paintings Generated by Text-to-Image System
Since the generative adversarial network (GAN) portrait painting titled “Edmond de Belamy” was constructed in 2018, AI art has already entered the public’s vision. One of the latest applications of AI is the generation of images based on natural language descriptions, which enhances the efficiency and effect of the transformation from creativity to visuality to a great extent. In the past, whether in traditional or digital painting creation, the author needed to be skilled in using tools and to have rich technical experience to accurately map the brain’s imagination to the visual layer. However, in co-creation with text-to-image AI generators, both artists and nonartists can input the text description to produce many high-quality images. During traditional painting creation, artists and nonartists in a painting task indicated quantitative and qualitative differences in some studies, such as artists spending more time on planning their painting, having more control over their creative processes, having more specific skills, and having more efficiency than nonartists. Whether such differences still exist in the new human–AI interaction mode and what new changes arise are worth discussing.
  • 604
  • 24 Nov 2022
Topic Review
Placing Critical Pressure on Creative Holography
In her seminal PhD thesis, submitted to the Royal College of Art, London, in 1994, Margaret Benyon, MBE, postulated the question “How is holography Art?”. (Benyon 1994) Within her 226 pages, she attempted to put pressure on the ‘How’ not the ‘Why’ or the ‘If’, using the lens of her own, considerable, research in the field. The broad issues surrounding this area of critical debate have not been extensively or continuously explored, either from within the field of practising artists investigating holography as a process, medium and methodology or through broader discursive platforms within the visual arts. The medium remains, for most, a curious optical innovation that lacks critical consideration. Perhaps, almost 25 years later, Benyon’s question is somewhat redundant, or too blunt an instrument to accurately pressurise the extensive research which has taken place over this period. Artists have actively extended the vocabulary of holographic imaging, not only through disrupting the technology, which makes it practical, but also through an attempt to investigate its visual, conceptual and practical vocabularies.
  • 585
  • 23 Jun 2020
Topic Review
Inter- and Intra-Individual Differences in Orang-Utan Drawings
Drawing has increasingly been proposed as an enrichment activity for captive primates in zoological parks and research institutes. The monkeys and apes are free to use the materials at their disposal and are not constrained or conditioned to show this behaviour. This provides a good opportunity to collect drawings by non-human primates and allows for comparative studies between hominids.
  • 550
  • 19 Nov 2021
Topic Review
Camille Bryen Avant-Gardist/Abhumanist
French artist and poet Camille Bryen (1907–1977) is usually, and always very briefly, cited as a member of the post-Second World War (1939–1945) lyrical abstraction trend in Paris, often designated as Ecole de Paris or Nouvelle Ecole de Paris, Tachisme, or Informel. Bryen painted hybrids of plants, animals, rocks, and humans, mixing the organic with the inorganic, evoking cellular agglomerations, geological structures, or prehistorical drawings. He emphasized the materiality and the process through thick impasto, visible brushstrokes, and automatic drawing. Along with other abstract painters in post-war Paris, Bryen’s work is usually associated with vague humanist interpretations and oversimplified existentialism.
  • 514
  • 11 Apr 2022
Topic Review
Crossing Borders in the Work of Perejaume
The Catalan artist Perejaume (b. 1957) visualizes the migration of art movements across geographical and political borders. In doing so, the artist offers visual forms for intangible journeys through time and space. In sharp contrast to earlier concepts of the development of art, from Vasari’s cyclical model of rise and fall to Alfred H. Barr’s linear ‘Development of Cubism and Abstract Art’, Perejaume’s drawings offer a less definitive, more suggestive, visualization of the migration of art movements. 
  • 507
  • 17 Mar 2022
Topic Review
Great Scientific Poster
Creating a great scientific poster communication is a multifaceted endeavor that involves clarity, engaging design, and effective content organization. This research explores the essential elements that contribute to a stellar scientific poster. Clarity and simplicity are paramount, with a focus on visual hierarchy, minimal text, and effective titles. Engaging visual design, content organization, and a compelling narrative structure are key to conveying complex research concisely. Data presentation should be clear and transparent, promoting accessibility and readability. Engaging the audience through presenter presence and discussion points, as well as emphasizing the relevance and impact of the research, completes the formula for a successful scientific poster.
  • 484
  • 08 Sep 2023
Topic Review
Great Figures for Article
Figures in scientific articles transcend mere visuals; they are dynamic tools for conveying complex information. This entry explores the essence of great scientific figures. Beyond illustrating data, they clarify, engage, and enhance the research narrative. Effective figures prioritize clarity, employ best data visualization practices, embrace aesthetics, and contribute to the overarching research story. Accessibility and inclusivity are paramount. These visual companions not only elucidate but also persuade, bridging the gap between textual exposition and abstract data. By mastering the art and science of crafting exceptional figures, researchers can enrich the scholarly discourse, fostering understanding and dissemination of their discoveries.
  • 437
  • 08 Sep 2023
Topic Review
Eco-Sustainable Approaches for Fungal Biodeterioration on Easel Painting
Cultural Heritage (CH) materials are susceptible to being complexly damaged physically, chemically, and aesthetically by the growing and metabolic activities of living beings, as investigators know as biodeterioration. Historical easel paintings have a mixture of materials and layers, increasing their conservation complexity. Materials such as cellulose on the support, rabbit skin glue, egg yolk, linseed oil, or varnishes on the polychromy are some organic materials that can compound an easel painting, although the painting layer also contains inorganic pigments. These organic materials can be degraded by fungi if the environmental conditions are favorable. Eliminating and controlling fungal biodeterioration is one of the most important challenges of easel painting conservation.
  • 400
  • 18 Feb 2024
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