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Topic Review
Australian Modernism
Australian Modernism, similar to European and American Modernism was a social, political and cultural movement that was a reaction to rampant Industrialisation, associated moral panic of modernity and the death and trauma of the World Wars. This movement was predominately a reaction of female artists towards the male dominated art style of naturalism. It is also important to note the presence of Indigenous Art during this time of modernity. Indigenous Modernism refers to the unique experience of modernity of Aboriginal people that is vastly different to the White Australians experience of Modernity. The mainstream movement began in Australia approximately in 1914 and continued until 1948. Throughout these years tensions continued between the conservative and the Avant-garde schools of thought. The years following the Second World War is when Australian Modernism gained notability in the art world of Australia. Nationalistic pastoral painting of the Australian landscape were superseded by abstracted, colourful distorted images of Modernist works. After the World Wars the dynamics of society in Australia and overseas changed dramatically causing increased acceptance and attraction towards Modernism. Social and political unrest continued due to the devastation of war and increased immigration occurred. This caused a subsequent amount of European artists to travel to Australia to live. This contributed to the introduction of further art styles to Australia such as Surrealism, social realism and expressionism. Additionally, continued technological progress in the later 20th century contributed to an increase in cubism and print making. The first Indigenous Modernist or Modern Artist is said to be the Artists Albert Namatjira. He created art that aligned with the styles and techniques of western Modernism in Australia and Europe. It was not until the 1960s and 1970s that scholars began to call Indigenous Art Modern as there was a distinction made between Modern and Contemporary art to traditional Indigenous art. However, it is argued that all types of Indigenous Art is Modernist as it is all an aesthetic expression of Indigenous experiences of modernity.
  • 1.6K
  • 28 Sep 2022
Topic Review
Australian Studies
Australian studies forms part of the academic field of cultural studies. It involves an examination of what constructs Australia national identity. This area of scholarship traditionally involves the study of Australian history, society and culture but can be extended to the study of Australian politics and economics. This area of scholarship also includes the study of Australia’s Indigenous population, Aboriginals and Torres Strait Islanders. Scholarship in Australian studies is offered at many Tertiary Institutions and topics within the field form part of the primary and secondary Australian Curriculum.
  • 306
  • 15 Nov 2022
Topic Review
Authenticity
Authenticity is a concept of personality in the fields of psychology, existential psychotherapy, existentialist philosophy, and aesthetics. In existentialism, authenticity is the degree to which a person's actions are congruent with his or her values and desires, despite external pressures to social conformity. The conscious Self comes to terms with the condition of Geworfenheit, of having been thrown into an absurd world (without values and without meaning) not of his or her own making, thereby encountering external forces and influences different from and other than the Self. In human relations, a person’s lack of authenticity is considered bad faith in dealing with other people and with one's self; thus, authenticity is in the instruction of the Oracle of Delphi: “Know thyself.” Concerning authenticity in art, the philosophers Jean Paul Sartre and Theodor Adorno held opposing views and opinions about jazz, a genre of American music; Sartre said that jazz is authentic and Adorno said that jazz is inauthentic. The musical subcultures of punk rock and Heavy metal require artistic authenticity, lest the community consider an artist to be a poseur for lacking authenticity (creative, musical, personal); likewise, artistic authenticity is integral to the genres of House music, Grunge, and Garage rock, Hip-hop, Techno, and show tunes. In every human activity, personal authenticity extends the instruction of the Oracle of Delphi: “Don’t merely know thyself — be thyself.”
  • 1.5K
  • 08 Oct 2022
Topic Review
Authenticity in Art
Authenticity in art is the different ways in which a work of art or an artistic performance may be considered authentic. Denis Dutton distinguishes between nominal authenticity and expressive authenticity. The first refers to the correct identification of the author of a work of art, to how closely a performance of a play or piece of music conforms to the author's intention, or to how closely a work of art conforms to an artistic tradition. The second sense refers to how much the work possesses original or inherent authority, how much sincerity, genuineness of expression, and moral passion the artist or performer puts into the work. A quite different concern is the authenticity of the experience, which may be impossible to achieve. A modern visitor to a museum may not only see an object in a very different context from that which the artist intended, but may be unable to understand important aspects of the work. The authentic experience may be impossible to recapture. Authenticity is a requirement for inscription upon the UNESCO World Heritage List. According to the Nara Document on Authenticity, it can be expressed through 'form and design; materials and substance; use and function; traditions and techniques; location and setting; spirit and feeling; and other internal and external factors.'
  • 3.3K
  • 09 Nov 2022
Topic Review
Authorizing GM Crop Varieties
Once a GM crop has completed the full review cycle for environmental safety, food and feed safety, and DUS/VCU testing, further steps are required to ensure its launch as a new variety for cultivation and safeguarding its sustainability. Again, policy considerations and necessary policy reforms are involved in these final stages, which are analyzed in the sections below. Prior to the planting of GM crop varieties in farmers’ fields, either from domestically produced or imported seeds, they will have to be authorized as certified seed or quality-declared seed in most SSA countries.
  • 519
  • 27 Oct 2021
Topic Review
Autobiographical Design through Digital Transformable Fashion and Textiles
To promote a resilient user-product relationship for sustainable fashion, design methods for emotional durability are required. Digitally transformable fashion design can be seen as a practical approach that enables dynamic, sensory, experiential, and emotional interaction.
  • 277
  • 29 Feb 2024
Topic Review
Autonomous Sensory Meridian Response
Autonomous sensory meridian response (ASMR), sometimes auto sensory meridian response, is a tingling sensation that typically begins on the scalp and moves down the back of the neck and upper spine. A pleasant form of paresthesia, it has been compared with auditory-tactile synesthesia and may overlap with frisson. ASMR signifies the subjective experience of "low-grade euphoria" characterized by "a combination of positive feelings and a distinct static-like tingling sensation on the skin". It is most commonly triggered by specific auditory or visual stimuli, and less commonly by intentional attention control. A genre of videos which intend to stimulate ASMR has emerged, of which over 13 million are published on YouTube.
  • 1.0K
  • 24 Nov 2022
Topic Review
Autonomy as a Social Role
Personal autonomy is a crucial philosophical topic which is of great relevance for different disciplines. First I would present an introduction to the contemporary debate. Second,I’ll follow a line of thought that suggests to intend "personal autonomy" in a social sense. The urgency to undertake this move arises because of the wide variety of informational sources we are exposed which influence our behavior. Social background represents the basis for autonomy; at the same time, interaction with others (real or virtual) enlarges the possibility for autonomous judgements.
  • 2.7K
  • 01 Nov 2020
Topic Review
Avalokiteśvara
Avalokiteśvara or Padmapani (/ˌʌvəloʊkɪˈteɪʃvərə/ UV-əl-oh-kih-TAY-shvər-ə; Sanskrit: अवलोकितेश्वर) is a bodhisattva who embodies the compassion of all Buddhas. This bodhisattva is variably depicted, described and portrayed in different cultures as either male or female. In Tibet, he is known as Chenrezik, and in Cambodia as អវលោកិតេស្វរៈ.Cite error: Invalid tag; refs with no name must have content In Chinese Buddhism, Avalokiteśvara has evolved into the somewhat different female figure Guanyin. In Japan this figure is known as Kanzeon or Kannon.
  • 2.2K
  • 17 Oct 2022
Topic Review
Avesta
The Avesta (/əˈvɛstə/) is the primary collection of religious texts of Zoroastrianism, composed in the Avestan language. The Avesta texts fall into several different categories, arranged either by dialect, or by usage. The principal text in the liturgical group is the Yasna, which takes its name from the Yasna ceremony, Zoroastrianism's primary act of worship, and at which the Yasna text is recited. The most important portion of the Yasna texts are the five Gathas, consisting of seventeen hymns attributed to Zoroaster himself. These hymns, together with five other short Old Avestan texts that are also part of the Yasna, are in the Old (or 'Gathic') Avestan language. The remainder of the Yasna's texts are in Younger Avestan, which is not only from a later stage of the language, but also from a different geographic region. Extensions to the Yasna ceremony include the texts of the Vendidad and the Visperad. The Visperad extensions consist mainly of additional invocations of the divinities (yazatas), while the Vendidad is a mixed collection of prose texts mostly dealing with purity laws. Even today, the Vendidad is the only liturgical text that is not recited entirely from memory. Some of the materials of the extended Yasna are from the Yashts, which are hymns to the individual yazatas. Unlike the Yasna, Visperad and Vendidad, the Yashts and the other lesser texts of the Avesta are no longer used liturgically in high rituals. Aside from the Yashts, these other lesser texts include the Nyayesh texts, the Gah texts, the Siroza, and various other fragments. Together, these lesser texts are conventionally called Khordeh Avesta or "Little Avesta" texts. When the first Khordeh Avesta editions were printed in the 19th century, these texts (together with some non-Avestan language prayers) became a book of common prayer for lay people. The term Avesta is from the 9th/10th-century works of Zoroastrian tradition in which the word appears as Zoroastrian Middle Persian abestāg, Book Pahlavi ʾp(y)stʾkʼ. In that context, abestāg texts are portrayed as received knowledge, and are distinguished from the exegetical commentaries (the zand) thereof. The literal meaning of the word abestāg is uncertain; it is generally acknowledged to be a learned borrowing from Avestan, but none of the suggested etymologies have been universally accepted. The widely repeated derivation from *upa-stavaka is from Christian Bartholomae (Altiranisches Wörterbuch, 1904), who interpreted abestāg as a descendant of a hypothetical reconstructed Old Iranian word for "praise-song" (Bartholomae: Lobgesang); but this word is not actually attested in any text.
  • 1.3K
  • 21 Nov 2022
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