Topic Review
Skeptical Movement
The skeptical movement (British spelling: sceptical movement) is a modern social movement based on the idea of scientific skepticism (also called rational skepticism). The movement has the goal of investigating claims made on fringe topics and determining whether they are supported by empirical research and are reproducible, as part of a methodological norm pursuing "the extension of certified knowledge". The process followed is sometimes referred to as skeptical inquiry. Roots of the movement date at least from the 19th century, when people started publicly raising questions regarding the unquestioned acceptance of claims about spiritism, of various widely-held superstitions, and of pseudoscience. Publications such as those of the Dutch Vereniging tegen de Kwakzalverij (1881) also targeted medical quackery. Using as a template the Belgian organization founded in 1949, Comité Para, Americans Paul Kurtz and Marcello Truzzi founded the Committee for the Scientific Investigation of Claims of the Paranormal (CSICOP), in Amherst, New York, in 1976. Now known as the Committee for Skeptical Inquiry (CSI), this organization has inspired others to form similar groups worldwide.
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Topic Review
Imagined Interaction
Imagined interactions (IIs) are a type of social cognition and mental imagery grounded in symbolic interactionism in which individuals imagine conversations with significant others for a variety of purposes (Honeycutt, 2003; 2015). The research program was founded and created by James M. Honeycutt in 1987, who was designated an LSU Distinguished Professor in 2012. He provided a keynote address at the American Association for the Study of Mental Imagery at Yale University in 1987 discussing the functions of imagined interactions and mental imagery. In 2006, Honeycutt's book, "Imagined Interactions: Daydreaming about Communication" (2003), was awarded Distinguished Book of the Year by the National Communication Association for developing the original formulations and the II construct which has provided a beneficial mechanism for operationalizing the study of intrapersonal communication, social cognition, daydreaming, and mental imagery. Furthermore, imagined interactions can be used in sports imagery as athletes "imagine" positive outcomes of their executions on specific plays or formations (Keaton, Gearhart, & Honeycutt, 2014).
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Topic Review
Safety Behaviors (Anxiety)
Safety behaviors (also known as safety-seeking behaviors) are coping behaviors used to reduce anxiety and fear when the user feels threatened. An example of a safety behavior in social anxiety is to think of excuses to escape a potentially uncomfortable situation. These safety behaviors, although useful for reducing anxiety in the short term, might become maladaptive over the long term by prolonging anxiety and fear of nonthreatening situations. This problem is commonly experienced in anxiety disorders. Treatments such as exposure and response prevention focus on eliminating safety behaviors due to the detrimental role safety behaviors have in mental disorders. There is a disputed claim that safety behaviors can be beneficial to use during the early stages of treatment.
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Topic Review
Electroreception
Electroreception or electroception is the biological ability to perceive natural electrical stimuli. It has been observed almost exclusively in aquatic or amphibious animals since water is a much better conductor of electricity than air. The known exceptions are the monotremes (echidnas and platypuses), cockroaches, and bees. Electroreception is used in electrolocation (detecting objects) and for electrocommunication.
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Topic Review
AI-Control Problem
In artificial intelligence (AI) and philosophy, the AI-control problem is the hypothetical puzzle of how to build a superintelligent agent that will aid its creators, and avoid inadvertently building a superintelligence that will harm its creators. Its study is motivated by the claim that the human race will have to get the control problem right "the first time", as a misprogrammed superintelligence might rationally decide to "take over the world" and refuse to permit its programmers to modify it after launch. In addition, some scholars argue that solutions to the control problem, alongside other advances in "AI safety engineering", might also find applications in existing non-superintelligent AI. Potential strategies include "capability control" (preventing an AI from being able to pursue harmful plans), and "motivational control" (building an AI that wants to be helpful).
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Topic Review
Anatta
In Buddhism, the term anattā (Pali) or anātman (Sanskrit) refers to the doctrine of "non-self", that there is no unchanging, permanent self, soul or essence in phenomena. It is one of the seven beneficial perceptions in Buddhism, and one of the three marks of existence along with dukkha (suffering) and anicca (impermanence). The Buddhist concept of anatta or anatman is one of the fundamental differences between Buddhism and Hinduism, with the latter asserting that atman (self, soul) exists.
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Topic Review
Medium Essentialism
Medium Essentialism is a philosophical theory stating that each artform has its own distinctive medium, and that the essence of such an artform is dependent on its particular medium. In practice, the theory argues that every artwork should manifest its essential properties, those which no other artform can employ. The theory relies on the presumption that every artform has a unique medium, and is divided into two main interpretations. The ‘limitation’ interpretation of Medium Essentialism argues that, due to their medium, some artforms should be constrained in their aspirations. The ‘productive’ interpretation reasons that a work's medium determines what content or style will function best, and that practitioners should pursue ventures aligning with the nature of this chosen medium. Clement Greenberg is a prolific medium-essentialist in relation to modernist art, proposing that artists such as Jackson Pollock are successful because they properly exploit elements of their chosen medium, such as a painting's physical flatness. However, Medium Essentialism was most propagated by film practitioners throughout the twentieth century, as it legitimised cinema as an artform for the first time. Previously, film had been regarded as merely a recorded representation of a written play. It is therefore most discussed today by film theorists, stemming from the work of critics such as André Bazin. Regardless of the interpretation favoured, what constitutes a film's medium, and therefore essential meaning, has been heavily debated, and has prompted the creation of several sub-theories. The theory has been widely discussed among contemporary film theorists and has featured in the Anthology of the Philosophy of Film and Motion Pictures. Whilst Medium Essentialism is not merely a subcategory of the Essentialism theory, it is relevant to the notion that certain characteristics are integral to every entity's purpose and identity. Non-essentialism rejects the existence of such an 'essence'. Non-essentialism has been the view preferred by scholars such as Noël Carroll, criticising Medium Essentialism in relation to film.
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Topic Review
Allegory of the Cave
The Allegory of the Cave, or Plato's Cave, was presented by the Ancient Greece philosopher Plato in his work Republic (514a–520a) to compare "the effect of education (παιδεία) and the lack of it on our nature". It is written as a dialogue between Plato's brother Glaucon and his mentor Socrates, narrated by the latter. The allegory is presented after the analogy of the sun (508b–509c) and the analogy of the divided line (509d–511e). All three are characterized in relation to dialectic at the end of Books VII and VIII (531d–534e). Plato has Socrates describe a group of people who have lived chained to the wall of a cave all of their lives, facing a blank wall. The people watch shadows projected on the wall from objects passing in front of a fire behind them, and give names to these shadows. The shadows are the prisoners' reality. Socrates explains how the philosopher is like a prisoner who is freed from the cave and comes to understand that the shadows on the wall are not reality at all, for he can perceive the true form of reality rather than the manufactured reality that is the shadows seen by the prisoners. The inmates of this place do not even desire to leave their prison, for they know no better life. The prisoners manage to break their bonds one day, and discover that their reality was not what they thought it was. They discovered the sun, which Plato uses as an analogy for the fire that man cannot see behind. Like the fire that cast light on the walls of the cave, the human condition is forever bound to the impressions that are received through the senses. Even if these interpretations (or, in Kantian terminology, intuitions) are an absurd misrepresentation of reality, we cannot somehow break free from the bonds of our human condition—we cannot free ourselves from phenomenal state just as the prisoners could not free themselves from their chains. If, however, we were to miraculously escape our bondage, we would find a world that we could not understand—the sun is incomprehensible for someone who has never seen it. In other words, we would encounter another "realm", a place incomprehensible because, theoretically, it is the source of a higher reality than the one we have always known; it is the realm of pure Form, pure fact. Socrates remarks that this allegory can be paired with previous writings, namely the analogy of the sun and the analogy of the divided line.
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Topic Review
Vicara
Vicara (Sanskrit( विचार) and Pali, also vicāra; Tibetan phonetic: chöpa) is a Sanskrit term that is translated as "discernment", "sustained thinking", etc. It is an essential element of dhyana, meditation, both in the Buddhist and the Hindu traditions. In the Theravada tradition, it is defined as the sustained application of the mind on an object. In the Mahayana tradition, vicara is defined as a mental factor that scrutinizes finely to discern the specific details. In Hinduism, it is part of Patanjali's Samprajatna samadhi, and also well known as atma-vichara or self-inquiry.
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Topic Review
Envy
Envy (from Latin invidia) is an emotion which occurs when a person lacks another's superior quality, achievement, or possession and either desires it or wishes that the other lacked it. Aristotle defined envy as pain at the sight of another's good fortune, stirred by "those who have what we ought to have". Bertrand Russell said that envy was one of the most potent causes of unhappiness. Not only is the envious person rendered unhappy by their envy, Russell argued, but that person may also wish to inflict misfortune on others to reduce their status.
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