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Topic Review
Folk Art
Folk art covers all forms of visual art made in the context of folk culture. Definitions vary, but generally the objects have practical utility of some kind, rather than being exclusively decorative. The makers of folk art are normally trained within a popular tradition, rather than in the fine art tradition of the culture. There is often overlap, or contested ground, with naive art, but in traditional societies where ethnographic art is still made, that term is normally used instead of "folk art". The types of object covered by the term varies considerably and in particular "divergent categories of cultural production are comprehended by its usage in Europe, where the term originated, and in the United States, where it developed for the most part along very different lines." Folk arts are rooted in and reflective of the cultural life of a community. They encompass the body of expressive culture associated with the fields of folklore and cultural heritage. Tangible folk art includes objects which historically are crafted and used within a traditional community. Intangible folk arts include such forms as music, dance and narrative structures. Each of these arts, both tangible and intangible, was originally developed to address a real need. Once this practical purpose has been lost or forgotten, there is no reason for further transmission unless the object or action has been imbued with meaning beyond its initial practicality. These vital and constantly reinvigorated artistic traditions are shaped by values and standards of excellence that are passed from generation to generation, most often within family and community, through demonstration, conversation, and practice.
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  • 15 Nov 2022
Topic Review
Folk Dance
A folk dance is a dance developed by people that reflect the life of the people of a certain country or region. Not all ethnic dances are folk dances. For example, ritual dances or dances of ritual origin are not considered to be folk dances. Ritual dances are usually called "Religious dances" because of their purpose. The terms "ethnic" and "traditional" are used when it is required to emphasize the cultural roots of the dance. In this sense, nearly all folk dances are ethnic ones. If some dances, such as polka, cross ethnic boundaries and even cross the boundary between "folk" and "ballroom dance", ethnic differences are often considerable enough to mention.
  • 18.5K
  • 12 Oct 2022
Topic Review
Folk Music
Folk music includes traditional folk music and the genre that evolved from it during the 20th-century folk revival. Some types of folk music may be called world music. Traditional folk music has been defined in several ways: as music transmitted orally, music with unknown composers, or music performed by custom over a long period of time. It has been contrasted with commercial and classical styles. The term originated in the 19th century, but folk music extends beyond that. Starting in the mid-20th century, a new form of popular folk music evolved from traditional folk music. This process and period is called the (second) folk revival and reached a zenith in the 1960s. This form of music is sometimes called contemporary folk music or folk revival music to distinguish it from earlier folk forms. Smaller, similar revivals have occurred elsewhere in the world at other times, but the term folk music has typically not been applied to the new music created during those revivals. This type of folk music also includes fusion genres such as folk rock, folk metal, and others. While contemporary folk music is a genre generally distinct from traditional folk music, in U.S. English it shares the same name, and it often shares the same performers and venues as traditional folk music.
  • 1.1K
  • 01 Nov 2022
Topic Review
Folklore Studies
Folklore studies, also known as folkloristics, and occasionally tradition studies or folk life studies in the United Kingdom , is the branch of anthropology devoted to the study of folklore. This term, along with its synonyms,[note 1] gained currency in the 1950s to distinguish the academic study of traditional culture from the folklore artifacts themselves. It became established as a field across both Europe and North America, coordinating with Volkskunde (German), folkeminner (Norwegian), and folkminnen (Swedish), among others.
  • 2.2K
  • 09 Nov 2022
Topic Review
Foolishness for Christ
Foolishness for Christ (Greek: διά Χριστόν σαλό, Template:Lang-cu) refers to behavior such as giving up all one's worldly possessions upon joining a monastic order, or to deliberate flouting of society's conventions to serve a religious purpose–particularly of Christianity. Such individuals have historically been known as both "holy fools" and "blessed fools". The term "fool" connotes what is perceived as feeblemindedness, and "blessed" or "holy" refers to innocence in the eyes of God. The term fools for Christ derives from the writings of Saint Paul. Desert Fathers and other saints acted the part of Holy Fools, as have the yurodivy (or iurodstvo) of Eastern Orthodox asceticism. Fools for Christ often employ shocking and unconventional behavior to challenge accepted norms, deliver prophecies, or to mask their piety. Parallels for this type of behavior exist in non-Christian traditions as well. The Avadhuta (Sanskrit), for example, the Islamic tradition of Qalandariyya and Malamatiyya Sufism and other crazy-wise mystics display similar traits. Nasreddin, of the Sufis, is also an example.
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  • 01 Nov 2022
Topic Review
Formalising Biodiversity Inclusive Design
Biodiversity Inclusive Design (BID) is an approach to design that seeks to foster functional ecological systems, enable species’ persistence within the built environment and (re) connect people with nature. BID can support designers’ quest toward biodiversity positivity.
  • 901
  • 17 Jan 2023
Topic Review
Forth and Bargy Dialect
The Forth and Bargy dialect, also known as Yola, is an extinct Anglic language once spoken in the baronies of Forth and Bargy in County Wexford, Ireland. It is thought to have evolved from Middle English, which was brought to Ireland during the Norman invasion, beginning in 1169. As such, it was similar to the Fingallian dialect of the Fingal area. Both became extinct in the 19th century, when they were replaced by modern Hiberno-English. The name "Yola" means "old" in the dialect.
  • 903
  • 21 Nov 2022
Topic Review
Four Sons of Horus
The four sons of Horus were a group of four gods in Egyptian religion, who were essentially the personifications of the four canopic jars, which accompanied mummified bodies. Since the heart was thought to embody the soul, it was left inside the body. The brain was thought only to be the origin of mucus, so it was reduced to liquid, removed with metal hooks, and discarded. This left the stomach (and small intestines), liver, large intestines, and lungs, which were removed, embalmed and stored, each organ in its own jar. There were times when embalmers deviated from this scheme: during the 21st Dynasty they embalmed and wrapped the viscera and returned them to the body, while the Canopic jars remained empty symbols. The earliest reference to the sons of Horus the Elder is found in the Pyramid Texts where they are described as friends of the king, as they assist the king in his ascension to heaven in the eastern sky by means of ladders. Their association with Horus the Elder specifically goes back to the Old Kingdom when they were said not only to be his children but also his souls. As the king, or Pharaoh was seen as a manifestation of, or especially protected by, Horus, these parts of the deceased pharaoh, referred to as the Osiris, were seen as parts of Horus, or rather, his children, an association that did not diminish with each successive pharaoh. Since Horus was their father, so Isis, Horus's original wife in the early mythological phase, was usually seen as their mother, although Hathor was also believed to be their mother, though in the details of the funerary ritual each son, and therefore each canopic jar, was protected by a particular goddess. Others say their mother was Serket, goddess of medicine and magic. Just as the sons of Horus protected the contents of a canopic jar, the king's organs, so they in turn were protected. As they were male in accordance with the principles of male/female duality their protectors were female. The classic depiction of the four sons of Horus on Middle Kingdom coffins show Imsety and Duamutef on the eastern side of the coffin and Hapi and Qebehsenuef on the western side. The eastern side is decorated with a pair of eyes and the mummy was turned on its side to face the east and the rising sun; therefore, this side is sometimes referred to as the front. The sons of Horus also became associated with the cardinal compass points, so that Hapi was the north, Imsety the south, Duamutef the east and Qebehsenuef the west. Their brother was Ihy, son of Hathor. Until the end of the 18th Dynasty the canopic jars had the head of the king, but later they were shown with animal heads. Inscriptions on coffins and sarcophagi from earliest times showed them usually in animal form.
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  • 25 Oct 2022
Biography
Francesc Pi I Margall
Francisco Pi y Margall (Catalan: Francesc Pi i Margall) (29 April 1824 – 29 November 1901) was a Spanish federalist and republican politician and theorist who served as president of the short-lived First Spanish Republic in 1873. He was also a historian, philosopher, romanticist writer, and was also the leader of the Federal Democratic Republican Party and the Democratic Party. Pi was turned i
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  • 14 Nov 2022
Biography
Francis Brabazon
Francis Brabazon (24 January 1907 – 24 June 1984) was an Australia n poet and a member of Meher Baba's mandali. Brabazon was born in London, but moved to Australia with his family when he was still a boy. At the age of 21, Francis Brabazon embarked on a quest to discover the relationship between beauty and truth. He studied music and painting and finally found his niche in poetry. In the 1940
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  • 02 Dec 2022
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