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Hindu Eschatology
Hindu eschatology is linked in the Vaishnavite tradition to the figure of Kalki, or the tenth and last avatar of Vishnu names of the Supreme Being in Hinduism and before the age draws to a close, and Harihara simultaneously dissolves and regenerates the universe. The current period is Kali Yuga, the last of four Yuga that make up the current age. It started just after Krishna left the earth in human form, in almost 3102 BCE or 5123 years from 2021. Each period has seen a progressive decline in morality, to the point that in Kali Yuga quarrel and hypocrisy are norm. In Hinduism, time is cyclic, consisting of cycles or "kalpas". Each kalpa lasts for 4.32 billion years and is followed by a pralaya (dissolution) of equal length, which together make a period of one full day and night of Brahma's 100 360-day year lifespan, who lives for 311 trillion, 40 billion years. The cycle of birth, growth, decay, and renewal at the individual level finds its echo in the cosmic order, yet is affected by the vagaries of divine intervention in Vaishnavism. Some Shaivites hold the view that he is incessantly destroying and creating the world.
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  • 24 Nov 2022
Topic Review
Proto-Karenic
The Proto-Karen or Proto-Karenic language is the reconstructed ancestor of the Karenic languages.
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  • 24 Nov 2022
Topic Review
Sangha
Sangha is a Sanskrit word used in many Indian languages, including Pali(saṅgha)meaning "association", "assembly", "company" or "community". It was historically used in a political context to denote a governing assembly in a republic or a kingdom. It is used in modern times by groups such as the political party and social movement Rashtriya Seva Sangh. It has long been commonly used by religious associations including by Buddhists,Jains and Sikhs. In Buddhism, sangha refers to the monastic community of bhikkhus (monks) and bhikkhunis (nuns). These communities are traditionally referred to as the bhikkhu-sangha or bhikkhuni-sangha. As a separate category, those who have attained any of the four stages of enlightenment, whether or not they are members of the monastic community, are referred to as the āryasaṅgha "noble Sangha". According to the Theravada school, the term "sangha" does not refer to the community of sāvakas (lay followers) nor the community of Buddhists as a whole.
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  • 23 Nov 2022
Topic Review
Three Bodies Doctrine (Vedanta)
According to Sarira Traya, the Doctrine of the Three bodies in Hinduism, the human being is composed of three sariras or "bodies" emanating from Brahman by avidya, "ignorance" or "nescience". They are often equated with the five koshas (sheaths), which cover the atman. The Three Bodies Doctrine is an essential doctrine in Indian philosophy and religion, especially Yoga, Advaita Vedanta and Tantra.
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  • 23 Nov 2022
Topic Review
Sophia (Gnosticism)
Sophia (Koinē Greek: Σοφíα "Wisdom", Coptic: ⲧⲥⲟⲫⲓⲁ "the Sophia") is a major theme, along with Knowledge (γνῶσις gnosis, Coptic sooun), among many of the early Christian knowledge-theologies grouped by the heresiologist Irenaeus as gnostikoi (γνωστικοί), ‘knowing’ or ‘men that claimed to have deeper wisdom’. Gnosticism is a 17th-century term expanding the definition of Irenaeus' groups to include other syncretic and mystery religions. In Gnosticism, Sophia is a feminine figure, analogous to the human soul but also simultaneously one of the feminine aspects of God. Gnostics held that she was the syzygy (female twin divine Aeon) of Jesus (i.e. the Bride of Christ), and Holy Spirit of the Trinity. She is occasionally referred to by the Hebrew equivalent of Achamōth (Ἀχαμώθ, Hebrew: חכמה‎ chokhmah) and as Prunikos (Προύνικος). In the Nag Hammadi texts, Sophia is the lowest Aeon, or anthropic expression of the emanation of the light of God. She is considered to have fallen from grace in some way, in so doing creating or helping to create the material world.
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  • 23 Nov 2022
Topic Review
Chrism
Chrism, also called myrrh, myron, holy anointing oil, and consecrated oil, is a consecrated oil used in the Anglican, Armenian, Assyrian, Catholic and Old Catholic, Eastern and Oriental Orthodox, and Nordic Lutheran Churches in the administration of certain sacraments and ecclesiastical functions.
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  • 23 Nov 2022
Topic Review
Song of Ascents
Song of Ascents is a title given to fifteen of the Psalms, 120–134 (119–133 in the Septuagint and the Vulgate), each starting with the superscription Shir Hama'aloth (שיר המעלות šîr ha-ma‘ălōṯ, meaning "Song of the Ascents"), or, in the case of Psalm 121, Shir Lama'aloth (שיר למעלות šîr la-ma‘ălōṯ, "a song regarding ascents"). They are also variously called Gradual Psalms, Fifteen Psalms, Songs of Degrees, Songs of Steps, songs for going up to worship or Pilgrim Songs. Four of them (Psalms 122, 124, 131, and 133) are linked in their ascriptions to David, and one (127) to Solomon. Three of them (Psalms 131, 133, and 134) have only three verses. The longest is Psalm 132 (18 verses).
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  • 23 Nov 2022
Topic Review
Roots Reggae Library
The Roots Reggae Library is a website that lists reviews of discographies of Reggae artists. It contains detailed written descriptions of albums, songs and the style of the artist. There are currently 33 discographies on the website. The content of the website consists of information on a large range of albums within the Reggae genre, some of which are extremely rare and hard to get by elsewhere. A number of artists discographies are uniquely indexed and/or newly created. Songs with lyrics other than English are interpreted in English. This is done in collaboration with various people around the world.
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Topic Review
List of Translations of the Paschal Greeting
This article lists translations of the Christian Paschal greeting in various languages.
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  • 23 Nov 2022
Topic Review
Spinning Dancer
The Spinning Dancer, also known as the Silhouette Illusion, is a kinetic, bistable, animated optical illusion GIF image showing a silhouette of a pirouetting female dancer. The illusion, created in 2003 by Japanese web designer Nobuyuki Kayahara, involves the apparent direction of motion of the figure. Some observers initially see the figure as spinning clockwise (viewed from above) and some counterclockwise. Additionally, some may see the figure suddenly spin in the opposite direction. The illusion derives from the lack of visual cues for depth. For instance, as the dancer's arms move from viewer's left to right, it is possible to view her arms passing between her body and the viewer (that is, in the foreground of the picture, in which case she would be circling counterclockwise on her right foot) and it is also possible to view her arms as passing behind the dancer's body (that is, in the background of the picture, in which case she is seen circling clockwise on her left foot). When she is facing to the left or to the right, her breasts and ponytail clearly define the direction she is facing, although there is ambiguity in which leg is which. However, as she moves away from facing to the left (or from facing to the right), the dancer can be seen facing in either of two directions. At first, these two directions are fairly close to each other (both left, say, but one facing slightly forward, the other facing slightly backward) but they become further away from each other until we reach a position where her ponytail and breasts are in line with the viewer (so that neither her breasts nor her ponytail are seen so readily). In this position, she could be facing either away from the viewer or towards the viewer, so that the two possible positions are 180 degrees apart. Another interesting aspect of this illusion can be triggered by placing a mirror vertically, besides the image. The natural expectation would be for the normal image and its reflection to spin in opposite directions. This does not necessarily happen, and provides a paradoxical situation where both mirrored dancers spin in the same direction.
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