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Topic Review
Water-Driven Music
Water-driven music technology has been one of the primary sources of human leisure from prehistoric times up until the present. Water powered, along with air pressure organs, have been used throughout history. One of them was an organ of fountains located inside a formal garden. 
  • 2.3K
  • 22 Feb 2021
Topic Review
Musical Contagion
Music can contaminate us. Sometimes, listeners perceive music as expressing some emotion (say, sadness), and this elicits the same emotion in them (they feel sad). What is musical contagion? Resesarchers presents the main theories of musical contagion that crystallize around the challenge to the leading theory of emotions as experiences of values. How and why does music contaminate us? Does musical contagion elicit garden variety emotions, such as sadness, joy, and anxiety? Does music contaminate us by simply moving us? Which role does imagination play in our affective responses to music? Is musical arousal elicited by automatic mimicry? What does musical contagion teach us about emotions? Musical contagion addresses fundamental theoretical and practical issues.
  • 1.4K
  • 10 Mar 2023
Biography
Tripp Eisen
Tripp Eisen (born Tod Rex Salvador; June 29, 1965),[1] is an American musician, best known as the former guitarist of the industrial metal band Static-X.[1] He is the guitarist for Face Without Fear and a former member of Dope, Murderdolls, Fractured Mirror (Ace Frehley tribute band), and Roughhouse (formerly Teeze)[1] Born in Pen Argyl, Pennsylvania, Eisen has made known his libertarian views
  • 1.4K
  • 30 Nov 2022
Topic Review
Theosophy and Music
According to some musicology and religious studies scholars, after the foundation of the Theosophical Society (1875), some professional musicians had a fancy for Theosophy, at the same time, the Theosophists had often engaged in music. However, several composers like Alexander Scriabin, Cyril Scott, Luigi Russolo chose Theosophy as the main ideological and philosophical basis of their work. Prof. Julia Shabanova stated that music, having both "existential and metaphysical" traits, extends comprehension of the world to its "universal constants". The European thought of the 19th century, which was in the period of the emergence of modern Theosophy in the process of "changing the philosophical and worldview paradigms", needed this.
  • 1.3K
  • 24 Nov 2022
Topic Review
Soundscape archaeology
Through an approach that aims to recognise and investigate the religious and public spaces of the past as “embodied spaces” and “sensory artefacts”, we can raise hypotheses on the sound experience in the ancient world and on the complex relationship between spaces and social interactions, making use of the potential provided by the application of 3D technology to virtual acoustics.  
  • 1.1K
  • 27 Oct 2021
Biography Video
F. Gregory Holland
F. Gregory Holland is an American composer, jazz guitarist musician, author, business professional, producer and publisher based in Milwaukee Wisconsin. Performing predominantly as a studio artist musician, Holland has arranged and produced numerous musical compositions for distribution and licensing. His International Standard Name Identifier as a contributor of musical works is: 0000 0004 7604
  • 1.0K
  • 11 Aug 2022
Topic Review
Trends in Recent English-Language Literature (2015–2021)
Several recurring themes and discourses emerge within this literature, including identity/identity-politics, indigenous spiritualities and religion, and intercultural syncretisms (especially in the context of Euro–American Christianity). Many of these and other discourses intersect with notions of cultural purity and the overarching institution of Western colonialism, which significantly impacted indigenous peoples (and music) throughout the world, particularly over the course of the nineteenth and twentieth centuries. Ingalls et al. propose “musical localization” as an alternative to other syncretic discourses—namely, indigenization, contextualization, and inculturation—to better address “the complex ways music-making becomes locally useful”.
  • 781
  • 15 Oct 2021
Topic Review
The Soundscape and the Response to Music
The sound environment and music intersect in several ways and the same holds true for the soundscape and our internal response to listening to music. Music may be part of a sound environment or take on some aspects of environmental sound, and therefore some of the soundscape response may be experienced alongside the response to the music. At a deeper level, coping with music, spoken language, and the sound environment may all have influenced our evolution, and the cognitive-emotional structures and responses evoked by all three sources of acoustic information may be, to some extent, the same.
  • 754
  • 17 Feb 2023
Topic Review
Analog Synthesizer
An analog (or analogue) synthesizer is a synthesizer that uses analog circuits and analog signals to generate sound electronically. The earliest analog synthesizers in the 1920s and 1930s, such as the Trautonium, were built with a variety of vacuum-tube (thermionic valve) and electro-mechanical technologies. After the 1960s, analog synthesizers were built using operational amplifier (op-amp) integrated circuits, and used potentiometers (pots, or variable resistors) to adjust the sound parameters. Analog synthesizers also use low-pass filters and high-pass filters to modify the sound. While 1960s-era analog synthesizers such as the Moog used a number of independent electronic modules connected by patch cables, later analog synthesizers such as the Minimoog integrated them into single units, eliminating patch cords in favour of integrated signal routing systems.
  • 750
  • 09 Oct 2022
Topic Review
Optical Medieval Music Recognition
Optical Music Recognition (OMR) is one of the key technologies to accelerate and simplify the transcription task in an automatic way. Typically, an OMR system takes an image or manuscript of a musical composition and transforms its content encoded in some digital format such as MEI or MusicXML. 
  • 632
  • 11 Jul 2022
Topic Review
Music Generation of Traditional Chinese Pentatonic Scale
Recent studies demonstrate that algorithmic music attracted global attention not only because of its amusement but also its considerable potential in the industry. Thus, the yield increased academic numbers spinning around on topics of algorithm music generation. The balance between mathematical logic and aesthetic value is important in music generation.
  • 626
  • 19 Oct 2022
Topic Review
Neural Mechanisms of Coping with the Sounds
Listening to music, by definition, refers to the sensorial act of processing acoustic features by the auditory system. Hence, a description in terms of the objective acoustic characteristics may help to tackle some of the elusive aspects of possible causal relationships between music and its effects by describing at least the stimulus side of the music processing chain (input).
  • 624
  • 15 Dec 2021
Topic Review Peer Reviewed
COVID-19 and Participatory Music-Making
Participatory music-making is any music-making activity in which individuals engage for the sake of the activity itself. It can be contrasted with presentational music-making, which takes the production of a performance or recording for consumption by an audience as a principal objective. During the COVID-19 pandemic, participatory musicians adopted a variety of technological means by which to make music together online. While virtual activities allowed these individuals to sustain their communities and grow as musicians, they did not satisfy all the needs met by in-person music-making. Additionally, online music-making increased access for some but posed barriers to access for others. Virtual participatory music-making remains relevant following the relaxation of pandemic restrictions, and it will likely grow in significance as communications technologies and internet access improve.
  • 582
  • 07 May 2024
Biography
Gary McPherson
Gary Edward McPherson (born April 1, 1954) is an Australian music educator, academic and musician, who has researched various topics within the areas of musical development, music performance science and music psychology. He has served as the Ormond Chair of Music at the Melbourne Conservatorium of Music (MCM) since 2009 and between July 2009 and July 2019, served as director of the MCM at th
  • 546
  • 19 Aug 2022
Topic Review
Positive Affect Evoked by Music and the Arts
A positive experience in response to a piece of music or a work of art (hence ‘music/art’) has been linked to health and wellbeing outcomes but can often be reported as indescribable (ineffable), creating challenges for research. There are two simultaneously occurring classes of experience are proposed: the ‘emotion class’ of experience (ECE) and the positive ‘affect class’ of experience (PACE). ECE consists of conventional, discrete, and communicable emotions with a reasonably well-established lexicon. PACE relates to a more private world of prototypical aesthetic emotions and experiences investigated in positive psychology.
  • 509
  • 25 May 2022
Topic Review
Mastery Motivation and Self-Concept in Music Education
People hold music in high regard and acknowledge the necessity of providing their children with a solid musical education. Musical education hinges on students’ mastery motivation and self-concept, which are crucial for effective musical learning. Therefore, it is crucial to consider the role of children’s mastery motivation (MM) and self-concept (SC) to provide children with a solid musical foundation.
  • 502
  • 07 Oct 2023
Topic Review
Music Therapy in End-of-Life Care Contexts
Certified music therapists use music within therapeutic relationships to address human needs, health, and well-being with a variety of populations. Palliative care and music therapy are holistic and diverse fields, adapting to unique issues within end-of-life contexts. Palliative care music therapy has been formally practiced since the late 1970s and affords a variety of benefits, including pain and anxiety reduction, enhancement of quality of life, emotional expression, and relationship completion. 
  • 453
  • 12 Mar 2024
Topic Review
Roots Reggae Library
The Roots Reggae Library is a website that lists reviews of discographies of Reggae artists. It contains detailed written descriptions of albums, songs and the style of the artist. There are currently 33 discographies on the website. The content of the website consists of information on a large range of albums within the Reggae genre, some of which are extremely rare and hard to get by elsewhere. A number of artists discographies are uniquely indexed and/or newly created. Songs with lyrics other than English are interpreted in English. This is done in collaboration with various people around the world.
  • 421
  • 23 Nov 2022
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