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Topic Review
Historic Garden Management
Historic garden management seeks to direct the evolution of complex cultural and natural heritage sites towards best meeting the needs of their owners, visitors and community. This entails balancing the conservation of these delicate socio-ecological systems with  accessibility to the many environmental, economic and socio-cultural benefits that they provide. Thus, historic garden management must be operational, continual and sustainable; it involves multiple stakeholders, and most of all, must be adaptive. That is why it is especially useful to conceive of historic garden management as a cyclical process that loops through a strategic phase, an operational phase and an assessment phase. In order to understand the many facets and challenges of historic garden management, a systematic review was carried out on international academic literature addressing this topic, with special attention regarding the social, economic and environmental aspects of sustainability. Academic studies on this subject come from many different disciplines, making it both stimulating and fragmented. This review seeks to consolidate these interdisciplinary efforts into a clear vision, including a framework of key themes and research methods. An analysis of the reviewed literature shows that research has focused on describing the gardens themselves, with few studies interested in the people sustaining them. Future research should follow recent policy documents’ lead and pay more attention to community value and involvement. 
  • 1.6K
  • 27 Jan 2021
Topic Review
Holography and Its Potential
In Camera Lucida, Roland Barthes discusses the capacity of the photographic image to represent “flat death.” Documentation of an event, happening, or time is traditionally reliant on the photographic to determine its ephemeral existence and to secure its legacy within history. The event is date and time stamped by the photographic document, which stands as proof of its taking place. However, this type of document is often unsuitable to capture the real essence and experience of the artwork in situ. The depth and varied nuances of the event go largely unrepresented in this type of record. The two-dimensional photographic document resigns the embodied and three-dimensional experience to a flat death. The hologram, with its spatial and three-dimensional realization of an image, offers a potential solution to this problem. In providing a view of the dexterity and depth of an inert object or human body, it creates a more comprehensive photographic document as an act of legacy. Although this cannot fully account or attest to the experience (as that can only occur through active and present observation), the three-dimensional representation within the hologram allows for greater understanding of ‘being there’ at the time of its happening. The hologram therefore can be suggested to be a more suitable means of documentation for the active and first-hand art experience. However, there are issues concerning how this type of photographic document functions within an art context. Appropriateness and suitability is as open for debate with the hologram as with its two-dimensional counterpart, concerning how it successfully operates as a document. Attitudes to methods necessary for artistic production and holography’s place within the art process can be responsible for this problem. The seductive qualities of holography may be attributable to any failure that ensues, but if used precisely the process can be effective to create a document within an art context. The failures and successes of the hologram to be reliable as a document of experience are discussed in this article, together with a suggestion of how it might undergo a transformation and reactivation. When situated as an integral component within a new artwork the hologram exists both as a document of the past and an experience in the present, and the article will offer an example of how this can occur.
  • 823
  • 03 Feb 2021
Topic Review
Householder (Buddhism)
In English translations of Buddhist texts, householder denotes a variety of terms. Most broadly, it refers to any layperson, and most narrowly, to a wealthy and prestigious familial patriarch. In contemporary Buddhist communities, householder is often used synonymously with laity, or non-monastics. The Buddhist notion of householder is often contrasted with that of wandering ascetics (Pali: Pāḷi: samaṇa; Sanskrit: śramaṇa) and monastics (bhikkhu and bhikkhuni), who would not live (for extended periods) in a normal house and who would pursue freedom from attachments to houses and families. Upāsakas and upāsikās, also called śrāvakas and śrāvikās - are householders and other laypersons who take refuge in the Three Jewels (the Buddha, the teachings and the community) and practice the Five Precepts. In southeast Asian communities, lay disciples also give alms to monks on their daily rounds and observe weekly uposatha days. In Buddhist thought, the cultivation of ethical conduct and dāna or "almsgiving" will themselves refine consciousness to such a level that rebirth in one of the lower heavens is likely even if there is no further "Noble" Buddhist practice (connected with the Supramundane goal of Nibbana, "Unbinding"). This level of attainment is viewed as a proper aim for laypersons. In some traditional Buddhist societies, such as in Myanmar and Thailand, people transition between householder and monk and back to householder with regularity and celebration as in the practice of shinbyu among the Bamar people. One of the evolving features of Buddhism in the West is the increasing dissolution of the traditional distinction between monastics and laity.
  • 1.2K
  • 14 Oct 2022
Topic Review
Identification and Extraction of Microplastics
Microplastics (MPs) are plastic wastes with particulates less than 5 mm in size that are absorbed by sediment, water, the atmosphere, and living beings before affecting health.
  • 2.1K
  • 12 Jun 2023
Topic Review
Image Annotations in Cultural Heritage Platforms
Cultural heritage is one of many fields that has seen a significant digital transformation in the form of digitization and asset annotations for heritage preservation, inheritance, and dissemination. However, a lack of accurate and descriptive metadata in this field has an impact on the usability and discoverability of digital content, affecting cultural heritage platform visitors and resulting in an unsatisfactory user experience as well as limiting processing capabilities to add new functionalities. Cultural heritage institutions were responsible for providing metadata for their collection items with the help of professionals, which is expensive and requires significant effort and time. In this sense, crowdsourcing can play a significant role in digital transformation or massive data processing, which can be useful for leveraging the crowd and enriching the metadata quality of digital cultural content.
  • 300
  • 20 Dec 2023
Topic Review
Imagined Interaction
Imagined interactions (IIs) are a type of social cognition and mental imagery grounded in symbolic interactionism in which individuals imagine conversations with significant others for a variety of purposes (Honeycutt, 2003; 2015). The research program was founded and created by James M. Honeycutt in 1987, who was designated an LSU Distinguished Professor in 2012. He provided a keynote address at the American Association for the Study of Mental Imagery at Yale University in 1987 discussing the functions of imagined interactions and mental imagery. In 2006, Honeycutt's book, "Imagined Interactions: Daydreaming about Communication" (2003), was awarded Distinguished Book of the Year by the National Communication Association for developing the original formulations and the II construct which has provided a beneficial mechanism for operationalizing the study of intrapersonal communication, social cognition, daydreaming, and mental imagery. Furthermore, imagined interactions can be used in sports imagery as athletes "imagine" positive outcomes of their executions on specific plays or formations (Keaton, Gearhart, & Honeycutt, 2014).
  • 1.7K
  • 15 Nov 2022
Topic Review
Indeterminacy
Indeterminacy, in philosophy, can refer both to common scientific and mathematical concepts of uncertainty and their implications and to another kind of indeterminacy deriving from the nature of definition or meaning. It is related to deconstructionism and to Nietzsche's criticism of the Kantian noumenon.
  • 313
  • 30 Nov 2022
Topic Review
Individuation
The principle of individuation, or principium individuationis, describes the manner in which a thing is identified as distinguished from other things. The concept appears in numerous fields and is encountered in works of Carl Gustav Jung, Gilbert Simondon, Alan Watts, Bernard Stiegler, Friedrich Nietzsche, Arthur Schopenhauer, David Bohm, Henri Bergson, Gilles Deleuze, and Manuel De Landa.
  • 3.1K
  • 28 Nov 2022
Topic Review
Inedia
Inedia (Latin for "fasting") or breatharianism /brɛθˈɛəriənɪzəm/ is the belief that it is possible for a person to live without consuming food. Breatharians claim that food, and in some cases water, are not necessary for survival, and that humans can be sustained solely by prana, the vital life force in Hinduism. According to Ayurveda, sunlight is one of the main sources of prana, and some practitioners believe that it is possible for a person to survive on sunlight alone. The terms breatharianism or inedia may also refer to this philosophy when it is practiced as a lifestyle in place of the usual diet. Breatharianism is considered a deadly pseudoscience by scientists and medical professionals, and several adherents of these practices have died from starvation and dehydration. Though it is common knowledge that biological entities require sustenance to survive, breatharianism continues.
  • 2.5K
  • 25 Oct 2022
Topic Review
Infinity
In philosophy and theology, infinity is explored in articles under headings such as the Absolute, God, and Zeno's paradoxes. In Greek philosophy, for example in Anaximander, 'the Boundless' is the origin of all that is. He took the beginning or first principle to be an endless, unlimited primordial mass (ἄπειρον, apeiron). The Jain metaphysics and mathematics were the first to define and delineate different "types" of infinities. The work of the mathematician Georg Cantor first placed infinity into a coherent mathematical framework. Keenly aware of his departure from traditional wisdom, Cantor also presented a comprehensive historical and philosophical discussion of infinity. In Christian theology, for example in the work of Duns Scotus, the infinite nature of God invokes a sense of being without constraint, rather than a sense of being unlimited in quantity.
  • 684
  • 16 Nov 2022
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