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All Topic Review Biography
Topic Review
Placing Critical Pressure on Creative Holography
In her seminal PhD thesis, submitted to the Royal College of Art, London, in 1994, Margaret Benyon, MBE, postulated the question “How is holography Art?”. (Benyon 1994) Within her 226 pages, she attempted to put pressure on the ‘How’ not the ‘Why’ or the ‘If’, using the lens of her own, considerable, research in the field. The broad issues surrounding this area of critical debate have not been extensively or continuously explored, either from within the field of practising artists investigating holography as a process, medium and methodology or through broader discursive platforms within the visual arts. The medium remains, for most, a curious optical innovation that lacks critical consideration. Perhaps, almost 25 years later, Benyon’s question is somewhat redundant, or too blunt an instrument to accurately pressurise the extensive research which has taken place over this period. Artists have actively extended the vocabulary of holographic imaging, not only through disrupting the technology, which makes it practical, but also through an attempt to investigate its visual, conceptual and practical vocabularies.
  • 475
  • 23 Jun 2020
Topic Review Video
Sustainable Development in Local Culture Industries
For aboriginal peoples, sustainability results in benefits for future generations. The concept is applied to secure a balance between human beings and the environment. Aborigines are a source of sustainability strategies that can contribute to service industries. Through education and communication of service innovation, sustainability can be achieved. 
  • 460
  • 28 Mar 2022
Topic Review
Inter- and Intra-Individual Differences in Orang-Utan Drawings
Drawing has increasingly been proposed as an enrichment activity for captive primates in zoological parks and research institutes. The monkeys and apes are free to use the materials at their disposal and are not constrained or conditioned to show this behaviour. This provides a good opportunity to collect drawings by non-human primates and allows for comparative studies between hominids.
  • 450
  • 19 Nov 2021
Topic Review
Paintings Generated by Text-to-Image System
Since the generative adversarial network (GAN) portrait painting titled “Edmond de Belamy” was constructed in 2018, AI art has already entered the public’s vision. One of the latest applications of AI is the generation of images based on natural language descriptions, which enhances the efficiency and effect of the transformation from creativity to visuality to a great extent. In the past, whether in traditional or digital painting creation, the author needed to be skilled in using tools and to have rich technical experience to accurately map the brain’s imagination to the visual layer. However, in co-creation with text-to-image AI generators, both artists and nonartists can input the text description to produce many high-quality images. During traditional painting creation, artists and nonartists in a painting task indicated quantitative and qualitative differences in some studies, such as artists spending more time on planning their painting, having more control over their creative processes, having more specific skills, and having more efficiency than nonartists. Whether such differences still exist in the new human–AI interaction mode and what new changes arise are worth discussing.
  • 440
  • 24 Nov 2022
Topic Review
Crossing Borders in the Work of Perejaume
The Catalan artist Perejaume (b. 1957) visualizes the migration of art movements across geographical and political borders. In doing so, the artist offers visual forms for intangible journeys through time and space. In sharp contrast to earlier concepts of the development of art, from Vasari’s cyclical model of rise and fall to Alfred H. Barr’s linear ‘Development of Cubism and Abstract Art’, Perejaume’s drawings offer a less definitive, more suggestive, visualization of the migration of art movements. 
  • 405
  • 17 Mar 2022
Topic Review
Camille Bryen Avant-Gardist/Abhumanist
French artist and poet Camille Bryen (1907–1977) is usually, and always very briefly, cited as a member of the post-Second World War (1939–1945) lyrical abstraction trend in Paris, often designated as Ecole de Paris or Nouvelle Ecole de Paris, Tachisme, or Informel. Bryen painted hybrids of plants, animals, rocks, and humans, mixing the organic with the inorganic, evoking cellular agglomerations, geological structures, or prehistorical drawings. He emphasized the materiality and the process through thick impasto, visible brushstrokes, and automatic drawing. Along with other abstract painters in post-war Paris, Bryen’s work is usually associated with vague humanist interpretations and oversimplified existentialism.
  • 392
  • 11 Apr 2022
Topic Review
Great Scientific Poster
Creating a great scientific poster communication is a multifaceted endeavor that involves clarity, engaging design, and effective content organization. This research explores the essential elements that contribute to a stellar scientific poster. Clarity and simplicity are paramount, with a focus on visual hierarchy, minimal text, and effective titles. Engaging visual design, content organization, and a compelling narrative structure are key to conveying complex research concisely. Data presentation should be clear and transparent, promoting accessibility and readability. Engaging the audience through presenter presence and discussion points, as well as emphasizing the relevance and impact of the research, completes the formula for a successful scientific poster.
  • 363
  • 08 Sep 2023
Topic Review
Great Figures for Article
Figures in scientific articles transcend mere visuals; they are dynamic tools for conveying complex information. This entry explores the essence of great scientific figures. Beyond illustrating data, they clarify, engage, and enhance the research narrative. Effective figures prioritize clarity, employ best data visualization practices, embrace aesthetics, and contribute to the overarching research story. Accessibility and inclusivity are paramount. These visual companions not only elucidate but also persuade, bridging the gap between textual exposition and abstract data. By mastering the art and science of crafting exceptional figures, researchers can enrich the scholarly discourse, fostering understanding and dissemination of their discoveries.
  • 242
  • 08 Sep 2023
Topic Review
Born in Translation and Iteration
João Delgado’s poetry first appeared as an anthology of translated poetry in He’arat Shulaym Issue 1, published in November 2001 in Jerusalem by the artist collective Sala-Manca. The entire issue was devoted to João Delgado. Delgado was a Portuguese-Argentinean poet, born in Lisbon circa 1920 (or not), who left Portugal as a political refugee for Buenos Aires. He disappeared in 1976 during the military dictatorship in Argentina (1976–1983). Since 1976, there has been no trace of his fate, although new fragments of his work are constantly being discovered, translated, and published by the Sala-Manca group.
  • 220
  • 22 May 2023
Topic Review
Cultural Heritage in Catholic Church
The 2003 UNESCO Convention definition of intangible heritage also covers religious practices and rites. Catholic religious traditions constitute a significant part of the UNESCO intangible cultural heritage (ICH) of religious provenance. 
  • 93
  • 18 Mar 2024
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