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Topic Review
Water-Driven Music
Water-driven music technology has been one of the primary sources of human leisure from prehistoric times up until the present. Water powered, along with air pressure organs, have been used throughout history. One of them was an organ of fountains located inside a formal garden. 
  • 1.9K
  • 22 Feb 2021
Topic Review
Theosophy and Music
According to some musicology and religious studies scholars, after the foundation of the Theosophical Society (1875), some professional musicians had a fancy for Theosophy, at the same time, the Theosophists had often engaged in music. However, several composers like Alexander Scriabin, Cyril Scott, Luigi Russolo chose Theosophy as the main ideological and philosophical basis of their work. Prof. Julia Shabanova stated that music, having both "existential and metaphysical" traits, extends comprehension of the world to its "universal constants". The European thought of the 19th century, which was in the period of the emergence of modern Theosophy in the process of "changing the philosophical and worldview paradigms", needed this.
  • 927
  • 24 Nov 2022
Topic Review
Musical Contagion
Music can contaminate us. Sometimes, listeners perceive music as expressing some emotion (say, sadness), and this elicits the same emotion in them (they feel sad). What is musical contagion? Resesarchers presents the main theories of musical contagion that crystallize around the challenge to the leading theory of emotions as experiences of values. How and why does music contaminate us? Does musical contagion elicit garden variety emotions, such as sadness, joy, and anxiety? Does music contaminate us by simply moving us? Which role does imagination play in our affective responses to music? Is musical arousal elicited by automatic mimicry? What does musical contagion teach us about emotions? Musical contagion addresses fundamental theoretical and practical issues.
  • 901
  • 10 Mar 2023
Topic Review
Soundscape archaeology
Through an approach that aims to recognise and investigate the religious and public spaces of the past as “embodied spaces” and “sensory artefacts”, we can raise hypotheses on the sound experience in the ancient world and on the complex relationship between spaces and social interactions, making use of the potential provided by the application of 3D technology to virtual acoustics.  
  • 827
  • 27 Oct 2021
Topic Review
Trends in Recent English-Language Literature (2015–2021)
Several recurring themes and discourses emerge within this literature, including identity/identity-politics, indigenous spiritualities and religion, and intercultural syncretisms (especially in the context of Euro–American Christianity). Many of these and other discourses intersect with notions of cultural purity and the overarching institution of Western colonialism, which significantly impacted indigenous peoples (and music) throughout the world, particularly over the course of the nineteenth and twentieth centuries. Ingalls et al. propose “musical localization” as an alternative to other syncretic discourses—namely, indigenization, contextualization, and inculturation—to better address “the complex ways music-making becomes locally useful”.
  • 513
  • 15 Oct 2021
Topic Review
The Soundscape and the Response to Music
The sound environment and music intersect in several ways and the same holds true for the soundscape and our internal response to listening to music. Music may be part of a sound environment or take on some aspects of environmental sound, and therefore some of the soundscape response may be experienced alongside the response to the music. At a deeper level, coping with music, spoken language, and the sound environment may all have influenced our evolution, and the cognitive-emotional structures and responses evoked by all three sources of acoustic information may be, to some extent, the same.
  • 503
  • 17 Feb 2023
Topic Review
Optical Medieval Music Recognition
Optical Music Recognition (OMR) is one of the key technologies to accelerate and simplify the transcription task in an automatic way. Typically, an OMR system takes an image or manuscript of a musical composition and transforms its content encoded in some digital format such as MEI or MusicXML. 
  • 486
  • 11 Jul 2022
Topic Review
Music Generation of Traditional Chinese Pentatonic Scale
Recent studies demonstrate that algorithmic music attracted global attention not only because of its amusement but also its considerable potential in the industry. Thus, the yield increased academic numbers spinning around on topics of algorithm music generation. The balance between mathematical logic and aesthetic value is important in music generation.
  • 479
  • 19 Oct 2022
Topic Review
Neural Mechanisms of Coping with the Sounds
Listening to music, by definition, refers to the sensorial act of processing acoustic features by the auditory system. Hence, a description in terms of the objective acoustic characteristics may help to tackle some of the elusive aspects of possible causal relationships between music and its effects by describing at least the stimulus side of the music processing chain (input).
  • 473
  • 15 Dec 2021
Topic Review
Analog Synthesizer
An analog (or analogue) synthesizer is a synthesizer that uses analog circuits and analog signals to generate sound electronically. The earliest analog synthesizers in the 1920s and 1930s, such as the Trautonium, were built with a variety of vacuum-tube (thermionic valve) and electro-mechanical technologies. After the 1960s, analog synthesizers were built using operational amplifier (op-amp) integrated circuits, and used potentiometers (pots, or variable resistors) to adjust the sound parameters. Analog synthesizers also use low-pass filters and high-pass filters to modify the sound. While 1960s-era analog synthesizers such as the Moog used a number of independent electronic modules connected by patch cables, later analog synthesizers such as the Minimoog integrated them into single units, eliminating patch cords in favour of integrated signal routing systems.
  • 473
  • 09 Oct 2022
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