| Version | Summary | Created by | Modification | Content Size | Created at | Operation |
|---|---|---|---|---|---|---|
| 1 | Camila Xu | -- | 2223 | 2022-11-08 01:37:25 |
The Khalili Collection of Japanese Art is a private collection of decorative art from Meiji-era (1868–1912) Japan , assembled by the British-Iranian scholar, collector and philanthropist Nasser D. Khalili. With more than 1,400 objects in total, it is comparable only to the collection of the Japanese imperial family in terms of size and quality. The collection includes metalwork, enamels, ceramics, and lacquered objects, including works by artists of the imperial court that were exhibited at the Great Exhibitions of the late 19th century. Rather than covering the whole range of Meiji-era decorative art, Khalili has focused on objects of the highest technical and artistic quality. He observed that Japanese arts were less well-documented than European arts of the same period, despite being technically superior: "Whilst one could argue it is relatively easy to replicate a Fabergé, to replicate the work of the Japanese master is nigh on impossible." The collection is one of eight assembled, published, and exhibited by Khalili, and one of three that feature art works from Japan, along with the Khalili Collection of Kimono and the Khalili Collection of Enamels of the World. Although the collection is not on permanent public display, its objects are lent to cultural institutions and have appeared in many exhibitions from 1994 onwards. Exhibitions drawing exclusively from the collection have been held at the British Museum, Israel Museum, Van Gogh Museum, Portland Museum, Moscow Kremlin Museums, and other institutions worldwide. As well as assembling these collections, Khalili founded the Kibo Foundation (from the Japanese word for "hope") to promote the study of art and design of the Meiji era, publishing scholarship about the collection and its historical context.