Masking Sound is the addition of generated sound (commonly, though inaccurately, referred to as "white noise" or "pink noise") into an environment to mask unwanted sound. It relies on auditory masking. Masking sound is not an active noise control (noise cancellation technique). Masking sound reduces or eliminates perception of sound. The technology is promoted as a widespread application to an entire area to improve the acoustical satisfaction, by improving the acoustical privacy of the space. This improves one's ability to focus and their productivity. Masking sound is analogous to light. - Sound Power and Luminosity - Sound Intensity and Light intensity - They both have spectral characteristics.
'Masking Sound' is promoted as reliable, consistent, accurate and precise solution to control of background sound in the built environment. There is significant and misplaced prejudice towards background sound (in contrast to background noise). However, there is substantial evidence produced and published by Beranek (BBN) and Cavanaugh (et al., 1962 Speech Privacy in Buildings) indicating that acoustical satisfaction of a space cannot be guaranteed without consideration of each of the three principle parameters of architectural acoustical design, formalized and established in the early 1900s by Sabine. The three principle parameters are known as the 'ABCs' of architectural acoustics: - A for Absorption -- Sufficient (but not in excess) absorption in the built environment. - B for Blocking -- Sufficient isolation of the built environment. - C for Control -- Control of background sound levels in the built environment. No single technique is effective in addressing every sound transmission path (direct, reflected, diffraction, transmission) and varies in performance on a case-by-case basis.
'Masking Sound' produced by a sound masking system can be used to reduce the impression of intruding sound (reducing annoyance, distraction). It can be used the improve acoustical privacy, synonymously used as speech privacy. However, there's a fundamental misconception in the deployment of a sound masking system in treating areas where there's failure in appreciating the difference between the perception of privacy and speech privacy.
Sound masking systems are often relied upon as a basis of design upon with Sound Transmission Class (STC, as supported by ASTM E336) or Noise Isolation Class (NIC, as supported by ASTM E336) to ensure an appropriate level of privacy between contiguous rooms. Various organizations (ASTM, ASA/ANSI, GBI, LEED, ASHRAE, WELL, etc.) define unique categories for labeling of acoustical zones with purpose and/or function.
Typical classifications consider:
Masking sound is an effective solution in masking intruding noise. The masking sound spectrum (National Research Council of Canada's COPE curve) is generated to be comfortable and elevated in level to be conducive to acoustical privacy in the built and occupied environment and can be specified up to 48dBA (Warnock in Acoustical privacy in the landscaped office in 1973). It may be used as a noise control solution to mask unwanted noise such as intermittent sound from machinery (within the overall limits and spectra). Masking sound seeks to reduce the intelligibility of sound from a source by reducing the signal-to-noise ratio. It is an effective solution to promote compliance with HIPAA and GLBA regulations.
However, the masking sound produced by electroacoustical system may also be disruptive if the sound masking system is improperly designed, improperly commissioned, or not verified by a professional acoustician.
A number of cases exist where sound masking has been successfully installed for exterior applications, the most common target of concern being roadway noise. In one example application a large artificial waterfall was constructed as part of the garden exterior of an urban hotel in Santa Rosa, California. The waterfall cascades down an extensive wall approximately four meters in height and functions both for sound masking and as a physical barrier to road noise.
The plenum is the space between a “dropped” ceiling and the upper deck for the floor. In-Plenum sound masking systems, which employ a network of loud speakers located completely within the plenum, were the first such systems developed – they have been in use since the 1960s. Plenum-based speakers typically range from 4” to 10” inches in diameter and generally face upwards, towards the upper deck. This is done to reflect sound from the speakers to broaden, as much as possible, the footprint from the speaker in the work area. This promotes a spatially uniform delivery of sound, reducing the perception of directivity.
As with any commercial grade sound masking system, an in-plenum sound masking system requires proper layout design, commissioning, and verification of the performance. Disregarding the importance of any of these stages in implementation will result in a sound masking system that does not perform according to the specifications of an acoustician. Only the most sophisticated sound masking systems can control the background sound level and spectra of masking sound accurately and precisely throughout a space, made only possible with smallest zones (spatial limits around a speaker) and sophisticated electronics and software.
Uniformity can be achieved by adjusting the acoustic output of individual or small groups of speakers. Adjustments routinely include changes in output volume and output spectra of individual speakers. To provide this adjustment capability, additional system electronics for individual speakers or for small groups of speakers are required.
Direct Field sound masking systems have been in use since the late 1990s. The name takes after the mechanics of sound transmission which considers the "direct sound path" from the loudspeaker emitted towards the recipients (listeners) underneath. Initially used as an accessory for open office cubicles, direct field systems have been fully integrated into at least one open office furniture system and have been designed to be installed both in dropped ceilings and in offices without any absorptive ceiling systems. When installed in dropped ceilings, direct field systems use speakers that are mounted facing down. When a ceiling tile is not available, they are mounted facing down on any available structure, sending the masking noise directly into the intended space.
Theoretically, direct field system would benefit from speakers that are omni-directional, meaning that they transmit energy equally in essentially all directions. However, direct field systems require tighter arrays of loudspeakers given the polarity of the emission of sound. Direct field speakers do not preclude the need for sound level adjustment nor spectral tuning - a misconception.