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The RTP audio/video profile (RTP/AVP) is a profile for Real-time Transport Protocol (RTP) that specifies the technical parameters of audio and video streams. RTP specifies a general-purpose data format, but doesn't specify how encoded data should utilize the features of RTP (what payload type value to put in the RTP header, what sampling rate and clock rate [the rate at which the RTP timestamp increments] to use, etc.). An RTP profile specifies these details. The RTP audio/video profile specifies a mapping of specific audio and video codecs and their sampling rates to RTP payload types and clock rates, and how to encode each data format as an RTP data payload, as well as specifying how to describe these mappings using Session Description Protocol (SDP).
Payload type (PT) | Name | Type | No. of channels | Clock rate (Hz)[1] | Frame size (ms) | Default packet size (ms) | Description | References |
---|---|---|---|---|---|---|---|---|
0 | PCMU | audio | 1 | 8000 | any | 20 | ITU-T G.711 PCM µ-Law audio 64 kbit/s | RFC 3551 |
1 | reserved (previously FS-1016 CELP) | audio | 1 | 8000 | reserved, previously FS-1016 CELP audio 4.8 kbit/s | RFC 3551, previously RFC 1890 | ||
2 | reserved (previously G721 or G726-32) | audio | 1 | 8000 | reserved, previously ITU-T G.721 ADPCM audio 32 kbit/s or ITU-T G.726 audio 32 kbit/s | RFC 3551, previously RFC 1890 | ||
3 | GSM | audio | 1 | 8000 | 20 | 20 | European GSM Full Rate audio 13 kbit/s (GSM 06.10) | RFC 3551 |
4 | G723 | audio | 1 | 8000 | 30 | 30 | ITU-T G.723.1 audio | RFC 3551 |
5 | DVI4 | audio | 1 | 8000 | any | 20 | IMA ADPCM audio 32 kbit/s | RFC 3551 |
6 | DVI4 | audio | 1 | 16000 | any | 20 | IMA ADPCM audio 64 kbit/s | RFC 3551 |
7 | LPC | audio | 1 | 8000 | any | 20 | Experimental Linear Predictive Coding audio 5.6 kbit/s | RFC 3551 |
8 | PCMA | audio | 1 | 8000 | any | 20 | ITU-T G.711 PCM A-Law audio 64 kbit/s | RFC 3551 |
9 | G722 | audio | 1 | 8000[2] | any | 20 | ITU-T G.722 audio 64 kbit/s | RFC 3551 - Page 14 |
10 | L16 | audio | 2 | 44100 | any | 20 | Linear PCM 16-bit Stereo audio 1411.2 kbit/s,[3][4][5] uncompressed | RFC 3551, Page 27 |
11 | L16 | audio | 1 | 44100 | any | 20 | Linear PCM 16-bit audio 705.6 kbit/s, uncompressed | RFC 3551, Page 27 |
12 | QCELP | audio | 1 | 8000 | 20 | 20 | Qualcomm Code Excited Linear Prediction | RFC 2658, RFC 3551 |
13 | CN | audio | 1 | 8000 | Comfort noise. Payload type used with audio codecs that do not support comfort noise as part of the codec itself such as G.711, G.722.1, G.722, G.726, G.727, G.728, GSM 06.10, Siren, and RTAudio. | RFC 3389 | ||
14 | MPA | audio | 1, 2 | 90000 | 8–72 | MPEG-1 or MPEG-2 audio only | RFC 3551, RFC 2250 | |
15 | G728 | audio | 1 | 8000 | 2.5 | 20 | ITU-T G.728 audio 16 kbit/s | RFC 3551 |
16 | DVI4 | audio | 1 | 11025 | any | 20 | IMA ADPCM audio 44.1 kbit/s | RFC 3551 |
17 | DVI4 | audio | 1 | 22050 | any | 20 | IMA ADPCM audio 88.2 kbit/s | RFC 3551 |
18 | G729 | audio | 1 | 8000 | 10 | 20 | ITU-T G.729 and G.729a audio 8 kbit/s; Annex B is implied unless the annexb=no parameter is used |
RFC 3551, Page 20, RFC 3555, Page 15 |
19 | reserved (previously CN) | audio | reserved, previously comfort noise | RFC 3551 | ||||
25 | CELB | video | 90000 | Sun CellB video[6] | RFC 2029 | |||
26 | JPEG | video | 90000 | JPEG video | RFC 2435 | |||
28 | nv | video | 90000 | Xerox PARC's Network Video (nv)[7] | RFC 3551, Page 32 | |||
31 | H261 | video | 90000 | ITU-T H.261 video | RFC 4587 | |||
32 | MPV | video | 90000 | MPEG-1 and MPEG-2 video | RFC 2250 | |||
33 | MP2T | audio/video | 90000 | MPEG-2 transport stream | RFC 2250 | |||
34 | H263 | video | 90000 | H.263 video, first version (1996) | RFC 3551, RFC 2190 | |||
72–76 | reserved | reserved because RTCP packet types 200–204 would otherwise be indistinguishable from RTP payload types 72–76 with the marker bit set | RFC 3550, RFC 3551 | |||||
dynamic | H263-1998 | video | 90000 | H.263 video, second version (1998) | RFC 3551, RFC 4629, RFC 2190 | |||
dynamic | H263-2000 | video | 90000 | H.263 video, third version (2000) | RFC 4629 | |||
dynamic (or profile) | H264 AVC | video | 90000 | H.264 video (MPEG-4 Part 10) | RFC 6184, previously RFC 3984 | |||
dynamic (or profile) | H264 SVC | video | 90000 | H.264 video | RFC 6190 | |||
dynamic (or profile) | H265 | video | 90000 | H.265 video (HEVC) | RFC 7798 | |||
dynamic (or profile) | theora | video | 90000 | Theora video | draft-barbato-avt-rtp-theora | |||
dynamic | iLBC | audio | 1 | 8000 | 20, 30 | 20, 30 | Internet low Bitrate Codec 13.33 or 15.2 kbit/s | RFC 3952 |
dynamic | PCMA-WB | audio | 1 | 16000 | 5 | ITU-T G.711.1 A-law | RFC 5391 | |
dynamic | PCMU-WB | audio | 1 | 16000 | 5 | ITU-T G.711.1 µ-law | RFC 5391 | |
dynamic | G718 | audio | 32000 (placeholder) | 20 | ITU-T G.718 | draft-ietf-payload-rtp-g718 | ||
dynamic | G719 | audio | (various) | 48000 | 20 | ITU-T G.719 | RFC 5404 | |
dynamic | G7221 | audio | 16000, 32000 | 20 | ITU-T G.722.1 and G.722.1 Annex C | RFC 5577 | ||
dynamic | G726-16 | audio | 1 | 8000 | any | 20 | ITU-T G.726 audio 16 kbit/s | RFC 3551 |
dynamic | G726-24 | audio | 1 | 8000 | any | 20 | ITU-T G.726 audio 24 kbit/s | RFC 3551 |
dynamic | G726-32 | audio | 1 | 8000 | any | 20 | ITU-T G.726 audio 32 kbit/s | RFC 3551 |
dynamic | G726-40 | audio | 1 | 8000 | any | 20 | ITU-T G.726 audio 40 kbit/s | RFC 3551 |
dynamic | G729D | audio | 1 | 8000 | 10 | 20 | ITU-T G.729 Annex D | RFC 3551 |
dynamic | G729E | audio | 1 | 8000 | 10 | 20 | ITU-T G.729 Annex E | RFC 3551 |
dynamic | G7291 | audio | 16000 | 20 | ITU-T G.729.1 | RFC 4749 | ||
dynamic | GSM-EFR | audio | 1 | 8000 | 20 | 20 | ITU-T GSM-EFR (GSM 06.60) | RFC 3551 |
dynamic | GSM-HR-08 | audio | 1 | 8000 | 20 | ITU-T GSM-HR (GSM 06.20) | RFC 5993 | |
dynamic (or profile) | AMR | audio | (various) | 8000 | 20 | Adaptive Multi-Rate audio | RFC 4867 | |
dynamic (or profile) | AMR-WB | audio | (various) | 16000 | 20 | Adaptive Multi-Rate Wideband audio (ITU-T G.722.2) | RFC 4867 | |
dynamic (or profile) | AMR-WB+ | audio | 1, 2 or omit | 72000 | 13.3–40 | Extended Adaptive Multi Rate – WideBand audio | RFC 4352 | |
dynamic (or profile) | vorbis | audio | (various) | (various) | Vorbis audio | RFC 5215 | ||
dynamic (or profile) | opus | audio | 1, 2 | 48000[8] | 2.5–60 | 20 | Opus audio | RFC 7587 |
dynamic (or profile) | speex | audio | 1 | 8000, 16000, 32000 | 20 | Speex audio | RFC 5574 | |
dynamic | mpa-robust | audio | 1, 2 | 90000 | 24–72 | Loss-Tolerant MP3 audio | RFC 5219 (previously RFC 3119) | |
dynamic (or profile) | MP4A-LATM | audio | 90000 or others | MPEG-4 Audio | RFC 6416 (previously RFC 3016) | |||
dynamic (or profile) | MP4V-ES | video | 90000 or others | MPEG-4 Visual | RFC 6416 (previously RFC 3016) | |||
dynamic (or profile) | mpeg4-generic | audio/video | 90000 or other | MPEG-4 Elementary Streams | RFC 3640 | |||
dynamic | VP8 | video | 90000 | VP8 video | RFC 7741 | |||
dynamic | VP9 | video | 90000 | VP9 video | draft-ietf-payload-vp9 | |||
dynamic | L8 | audio | (various) | (various) | any | 20 | Linear PCM 8-bit audio with 128 offset | RFC 3551 Section 4.5.10 and Table 5 |
dynamic | DAT12 | audio | (various) | (various) | any | 20 (by analogy with L16) | IEC 61119 12-bit nonlinear audio | RFC 3190 Section 3 |
dynamic | L16 | audio | (various) | (various) | any | 20 | Linear PCM 16-bit audio | RFC 3551 Section 4.5.11, RFC 2586 |
dynamic | L20 | audio | (various) | (various) | any | 20 (by analogy with L16) | Linear PCM 20-bit audio | RFC 3190 Section 4 |
dynamic | L24 | audio | (various) | (various) | any | 20 (by analogy with L16) | Linear PCM 24-bit audio | RFC 3190 Section 4 |
dynamic | raw | video | 90000 | Uncompressed Video | RFC 4175 | |||
dynamic | ac3 | audio | (various) | 32000, 44100, 48000 | Dolby AC-3 audio | RFC 4184 | ||
dynamic | eac3 | audio | (various) | 32000, 44100, 48000 | Enhanced AC-3 audio | RFC 4598 | ||
dynamic | t140 | text | 1000 | Text over IP | RFC 4103 | |||
dynamic | EVRC EVRC0 EVRC1 |
audio | 8000 | EVRC audio | RFC 4788 | |||
dynamic | EVRCB EVRCB0 EVRCB1 |
audio | 8000 | EVRC-B audio | RFC 4788 | |||
dynamic | EVRCWB EVRCWB0 EVRCWB1 |
audio | 16000 | EVRC-WB audio | RFC 5188 | |||
dynamic | jpeg2000 | video | 90000 | JPEG 2000 video | RFC 5371 | |||
dynamic | UEMCLIP | audio | 8000, 16000 | UEMCLIP audio | RFC 5686 | |||
dynamic | ATRAC3 | audio | 44100 | ATRAC3 audio | RFC 5584 | |||
dynamic | ATRAC-X | audio | 44100, 48000 | ATRAC3+ audio | RFC 5584 | |||
dynamic | ATRAC-ADVANCED-LOSSLESS | audio | (various) | ATRAC Advanced Lossless audio | RFC 5584 | |||
dynamic | DV | video | 90000 | DV video | RFC 3189 | |||
dynamic | BT656 | video | ITU-R BT.656 video | RFC 3555 | ||||
dynamic | BMPEG | video | Bundled MPEG-2 video | RFC 2343 | ||||
dynamic | SMPTE292M | video | SMPTE 292M video | RFC 3497 | ||||
dynamic | RED | audio | Redundant Audio Data | RFC 2198 | ||||
dynamic | VDVI | audio | Variable-rate DVI4 audio | RFC 3551 | ||||
dynamic | MP1S | video | MPEG-1 Systems Streams video | RFC 2250 | ||||
dynamic | MP2P | video | MPEG-2 Program Streams video | RFC 2250 | ||||
dynamic | tone | audio | 8000 (default) | tone | RFC 4733 | |||
dynamic | telephone-event | audio | 8000 (default) | DTMF tone | RFC 4733 | |||
dynamic | aptx | audio | 2 – 6 | (equal to sampling rate) | 4000 ÷ sample rate | 4[9] | aptX audio | RFC 7310 |
maxplaybackrate
and sprop-maxcapturerate
parameters in SDP can be used to indicate hints/preferences about the maximum sampling rate to encode/decode.RFC 3551 lists details of the payload format, or a reference for the details is provided. Payload identifiers 96–127 are used for payloads defined dynamically during a session. The document recommends dynamically assigned port numbers, although port numbers 5004 and 5005 have been registered for use of the profile when a dynamically assigned port is not required. The standard also describes the process of registering new payload types with IANA.
Applications operating under this profile should always support PCMU (payload type 0). Previously, DVI4 (payload type 5) was also recommended, but this recommendation was removed in August 2013 by RFC 7007 because "many RTP deployments do not support DVI4, and there is little reason to use it when much more modern codecs are available."