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| Version | Summary | Created by | Modification | Content Size | Created at | Operation |
|---|---|---|---|---|---|---|
| 1 | Camila Xu | -- | 1873 | 2022-11-25 01:37:09 |
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Beginning in the 1960s, hip hop music was centered around the ideas of cultural discourse in urban communities where Latinos and African Americans resided. Through this music, the lyrics quickly became misogynistic and violent in response to the way that these marginalized cultures viewed by mainstream society. Much of hip hop's beginnings can be traced back to the Bronx, New York, where the population consisted of mainly African-Americans and Latinos. During the 1960s and 1970s, New York City was in an economic slump. The conditions in the Bronx and other low income areas were substandard; issues facing the community included: insufficient housing, gang violence, and drugs. Blacks and Latinos came together to speak on their struggles, experiences, and lifestyles through hip hop. After recognizing these trends in hip hop/rap lyrics, mainstream media accredited hip hop culture with being inherently misogynistic. Due to the historic marginalization of Latinos and African Americans, the blame can be easily placed on hip hop artists for perpetuating this violent and masochistic culture. This is not something that is/was taken lightly by these communities of color; more rebellion through hip hop emerged. However, this movement did not attempt to fix the misogynistic elements of the music, and in turn, more women were being viewed as sexual objects within artist's works. Latinos, particularly Puerto Ricans, were at the forefront of the hip hop movement, however; they have often been forgotten in conversation. Nonetheless, we can see the presence and influence of Latinos in hip hop when we think about artist like: Africa Bambaataa & the members of the Zulu Nation (1960s), Latino DJ, DJ Disco Wiz (aka first Latino DJ in hip hop) & DJ Grandmaster Caz came together to form the Mighty Force (1974), DJ Charlie Chase of the Cold Crush Brothers (1975), Lee Quiñones & Lady Pink (1970s), and various others have allowed for Latinos to have a part in hip hop culture and hip hop history. Latina's also had a huge role in hip hop, women who were not on the hip hop stage take part in: the influence and making of music and hip hop performance, dancing of music, and graffiti art. Today we see Latinas like: La Caballota aka Ivy Queen (1995), Ana Bijoux (1995), Angie Martinez: "The Voice of New York" (1996), Hurricane G aka Gloria Rodriguez (1997), Mala Rodríguez (1990s), Lisa M: "The Queen of Spanish Rap" (1988), Nina Dioz (2009), Snow Tha Product aka Claudia Feliciano (2011), Mélony Redondo: MelyMel (2018) have been women who have all taken the stage and made their mark as Latina and Afro-Latina rappers/artist in the hip hop world.
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