Helen Nemanjić (1250–1314): Comparison
Please note this is a comparison between Version 2 by Lindsay Dong and Version 1 by Čedomila Marinković.

Queen Helen Nemanjić (?–Brnjaci near Zubin Potok, February 8, 1314) was a Serbian medieval queen and consort of King Stefan Uroš I (r. 1243–1276), the fifth ruler of the Serbian Nemanide dynasty. She was the mother of the kings Stefan Dragutin and Stefan Uroš II Milutin. Today, she is known as Helen of Anjou (Jelena Anžujska in Serbian) although her real name was most probably Heleni Angelina (Ελένη ΑAγγελίνα). She was the founder of the Serbian Orthodox monastery of Gradac as well as four Franciscan abbeys in Kotor, Bar, Ulcinj, and Shkodër. Together with her sons, Kings Stefan Dragutin and Stefan Uroš II Milutin she helpedrenovation of Benedictine abbey of Sts. Sergius and Bacchus near Shkodër on Boyana river in present-day Albania. After the death of her husband, she ruled Zeta and Travunija until 1306. She was known for her religious tolerance and charitable and educational endeavors. She was elevated to sainthood by the Serbian Orthodox Church. Along with Empress Helen, the wife of Serbian Emperor Stefan Uroš IV Dušan, Queen Helen was the most frequently painted woman of Serbian medieval art. Six of her portraits can be found in the monumental painting ensembles of the Serbian medieval monasteries of Sopoćani, Gradac, Arilje, Đurđevi Stupovi (Pillars of St. George), and Gračanica, as well as on two icons and one seal. Queen Helen is also the only female Serbian medieval ruler whose vita was included in the famous collection of the "Lives of Serbian Kings and Archbishops" by Archbishop Danilo II, a prominent church leader, warrior, and writer. 

  • Helen of Anjou
  • Nemanide dynasty
  • Sopoćani Monastery
  • Gradac Monastery
  • Queen Helen’s seal
  • Vatican icon
  • Gračanica Monastery.
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References

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  9. Đurić, J.V. Istorijske kompozicije u srpskom slikarstvu srednjeg veka (Historical composition in Serbian medieval painting). ZRVI 1968, 11, 99–127.
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  11. Kopije pečata sa povelja srpskih vladara i vlastele XIII–XIV veka (Copies of Seals from the Charters of Serbian Rulers and Nobility of the XIII-XIV Century); Kulić, R. (Ed.) Zbirka Galerije Matice Srpske: Novi Sad, Serbia, 2009.
  12. Natpisi istorijske sadržine u zidnom slikarstvu (Inscriptions of Historical Content in Wall Painting); Subotić, G.; Miljković, B.; Špadijer, I.; Toth, I. (Eds.) Vizantološki Institute SANU: Beograd, Serbia, 2015.
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  14. Dal Santo, G.L. Concordia Apostolorum—Concordia Augustorum: Building a Corporate Image for the Theodosian Dynasty. In East and West in the Roman Empire of the Fourth Century: An End to Unity? Dijkstra, R., Van Poppel, S., Slootjes, D., Eds.; Brill: Leiden, The Netherlands, 2015; pp. 164–179.
  15. Da Bari Beatillo, A. Historia della vita, miracoli, traslatione e gloria dell’illustrissimo Confessore di Christo, San Nicolò il Magno, arcivescovo di Mira, patrono e protettore della città di Bari, Naples and Palermo; Stamperia di Pietro Coppola: Palermo, Italia, 1642.
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  19. Vojvodić, D. Doslikani vladarski portrti u Gračanici (Additionaly painted portraits of rulers in Gračanica). Niš i Vizantija 2009, VII, 251–265.
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